Rosetta bridge plugins have an initial size of 0x0 pixel.
Ardour's AU window size is set relative to the previous size. So the
window grows by the actual real initial size of the AU View.
However the window is already allocated and has a non-zero width given
by the plugin's toolbar.
This lead to oversize windows.
* Fix demo-session glob (missing "*" + session_archive_suffix)
* Copy demo-session also when copying settings from older version
* Also add demo-session to recent-list if it was previously unpacked
for new major versions.
This should fix a long-standing issue with interleaved display
of clients since jack_get_ports() does not return a well defined order.
(Internal backends based on Ardour::PortEngine keep ports sorted)
In case of MIDI CC/Bend/Pressure etc events, the underlying
data is provided by a MidiTrack (is-a Automatable) and not
an automation-control.
When directly calling AutomationControl::set_automation_state,
the AC disables automation-watch using shared_from_this().
With the Evoral::Control used for MidiTrack event-lists this
results in a tr1::bad_weak_ptr.
Locations::ripple() skips these markers when the ripple action is committed.
...but the editor moves the marker-items as a visual aid, before actually
committing the changes to Locations()
...so the editor needs the same logic, to avoid visually inconsistent behavior
In case of auto-scroll it is apparently possible that the
move_threshold_passed, but ::motion() is not called.
There already is an explicit _starting_point_passed variable
that is set when first_move occurred. So far it was just unused.
when dragging their location
* it should be possible to launch an arbitrary (non-quantized) sound
'anytime' on the timeline
* this was already possible anyway, by switching the Grid to None
When no movement has occurred, TrimDrag::motion was never called
and `begin_reversible_command()` was not called. There is nothing
to undo. This fixes
`commit_reversible_command(Command*): Assertion `_current_trans' failed`
This also fixes Menu > Edit Delete "delete MIDI" operation.
Pressing backspace/delete calls "Delete Selection" which is
unrelated to MRV::cut_copy_clear.
Gtk::manage only destroys managed widgets when the parent container
is destroyed. In Ardour's case this is not the case since
Gtkmm2ext::container_clear() is used to unpack/repack widgets
as required.
The Monitor Model usually depends on the studio setup (hardware
mixing desk), but also to some extent on the audio interface (zero-
latency monitoring). Since a user may also use different interfaces
(e.g. with a laptop), it makes sense to expose the monitor model
preference in the engine-dialog.
NB. It is not part of the engine-state (!), but still a preference.
* Remove Monitor Model Option
* Remove Monitor Section Option
These days those can be toggled after setup, even while the
session is loaded and engine is running. There is no need to bother
a user very early on with this question about Monitoring.
This has no been useful since years. Both Ardour and JACK
backends always use all available ports and the setting was
only useful to "hide" excess ports.
A fully transparent waveform (with only a semi-transparent outline)
looks very odd with all themes.
Perhaps this was a typo and the initially intended rendering was
supposed to be 31% transparent, however this is not distinguishable
from non-opaque regions (27% transparency).
It connects to the ParameterChanged (sigc++) signal, and to ensure automated
disconnection on object death, sigc::trackable is required in the
inheritance tree
It connects to the ParameterChanged (sigc++) signal, and to ensure automated
disconnection on object death, sigc::trackable is required in the
inheritance tree
The track-header (gtk) is packed with 1px box spacing. This
is added at the top of each box (best seen by looking at the
group-tab vs track-header alignment in the editor).
However the actual track separator line on the canvas is at the
bottom of each track, aligning with the top of the next track
or automation-lane.
The first track however lacks a separator at the top, which
needs to be provided by the ruler. Once the canvas is scrolled
this ruler/canvas separator overlaps with the bottom separator of
each TAV.
Using ruler Rectangle::set_outline had various issues.
The outline extends outside the rectangle. It bled into the
video-timeline instead of the canvas' top y-axis pixel.
Also the separator was above the video-timeline, not above the
canvas. Hence a dedicated separator Line is preferable.
It also provides a consistent separator if no rulers are visible.
Before nutempo, ::find_next_region_boundary() used to return -1
when no boundary was found (now timepos_t::max is returned).
timepos_t::increment() returns the incremented value, not increments
the variable itself.
When a tempo map change originates from a drag, we know the required redraws have
already been done. Use a new bool member, ignore_map_change, to tell the Editor
to ignore the map change signal. For all other map changes, do the full reset.
We now simply move markers during drags, and do not seek to create/delete markers.
When the map is changed, we rebuild the markers from scratch. This might need optimization to avoid doing
when the editor itself changed the map.
Previously it was possible that the tempo-curve display was rendered
above a tempo-marker (e.g. create a marker in the between of existing
markers). With the tempo-curve in front, markers on the right
became inaccessible.
Code used to just push back new markers to the end of the relevant list, and
this would then the new marker to be deleted soon thereafter. Instead pass
an interator indicating where to place the marker in the list.
Note that we rely on the use of std::list<T> here to keep the iterator to the
existing marker valid.
This used to be a distinct kind of drag, but ended up being refactored into
something that happens during a regular drag. Has not been used in quite some time.
We need to delete all existing region views before we redisplay the track. This
was removed as part of an "experimental performance optimization" in 4f7a4cd233
but playlist switching is a rare and non-performance limited operation
Note position in samples must be calculated using absolute position
on the timeline. Otherwise the tempo-map is not applied correctly.
Previously this caused issues since the position was first
offset back by _region->position() - time relative to region left
edge - and then the tempo-map was applied.
Another solution identically would be:
(note_start + session_source_start).samples() - _region->position().samples()
Since we're reconnecting visible marker objects with a new map, there's a good
chance that the map will contain map points that don't correspond to the map
points currently referenced by those markers. Thus, tests for address
equivalence will often fail.
Instead, repeat what has been done elsewhere and use the heuristic that we only
allow one point of a given type at the same superclock position.
UIConfig insert-at-position saves/restores the enum as integer.
This is used directly as parameter for insert_at_combo.set_active().
For this to work, the enum needs to match the order of elements
in the dropdown.
It would be preferable to register the enum, and map the
dropdown entries, but for now this does the trick, without
breaking existing UIConfigs.
PresentationInfo::Change (Properties::selected) is emitted and
handled before Mixer_UI::add_routes() is called. At that point
in time the MixerStrip(s) to be selected may not exist.
Visual selection state was lost.
Furthermore move_stripable_into_view() calling translate_coordinates()
only works after GTK has completed the resize operation.
This lead to the mixer scrolling back to the left edge when creating
new tracks.
Also each selection change caused all tracks to be re-packed.
Now redisplay_track_list() is only called if visibility or order
changes. This signficanly improves performance with large sessions.
fix bindings to shifted symbols (see below)
add shortcuts to recorder, virtual midi keyboard
change shortcut (secondary+c) from Big Clock to Cue page
(*) shifted symbols like '+' are accessed in a very specific way, like:
<@TERTIARY@>plus
and
<@SECONDARY@><@TERTIARY@>plus
RegionView::make_name already adds the prefix, AudioRegionView
does not need to add it again.
Also the font used on macOS (Lucia Grande) has a rather limited
UTF-8 charset and does not support:
\u20F0 (COMBINING ENCLOSING CIRCLE BACKSLASH)
\U0001F507 (SPEAKER WITH CANCELLATION STROKE)
so for now we keep using "!" on macOS.
* expand/shrink track height
* stem-export selected tracks
* create a range from selected regions
* consolidate range
* add a single Range marker for selected region(s)
* unlink (fork) midi region from linked regions
* toggle plugin manager window
* fixed shortcut for Crop
* moved "audio patchbay" from Alt-P to Alt-Shift-A,
making it more consistent with Alt-Shift-M: MIDI patchbay
See also 89a85da52c
* Fix deflection when using percent (use sqrt/pow2)
* Simplify linear deflection when using semitones
* Allow deflection of > 200% when using semitones
The AudioClock uses samples. Duration calculation is
done using the current clock pos. The returned distance is
using Beats, can be directly used for all notes regardless of their
position.
Now that this works correctly the dialog can also be made available
for multiple-selection.
Better version of 817fccb3e5, the visibility should not depend
on the number of items in the dialog, but its requested height
vs screen height.
The main use-case is to not show the scroll-bar if the dialog has only
a few rows. Then again if the scrollbar is visible, the dialog
should not shrink below a reasonable min. height.
Mixer-scenes are session objects, and the signal must not be
connected across session instances.
This fixes a read-lock after write-lock when switching snapshots:
Session::set_state -> MixerScene::set_state ->
MixerScene::set_name -> Change(); /* emit signal */
... -> Mixer_UI::update_scene_buttons -> Session::nth_mixer_scene
The design ignored the ratio computed by the drag interaction, and relied on getting the stretch
ratio from the dialog. This truncated the actual ratio, leading to (relatively) small errors
in the length of the generated region.
Now, if the ratio provided by the drag is not (1/1) (i.e. a single click while in timefx mode)
then the percentage stretch spinner is marked insensitive and the stretch ratio is taken from
the given ratio. For single clicks, the user can still adjust the percentage as they wish
Disable the "More" button when search parameters change. The button is
supposed to continue the current search, but if any of the search
parameters (tags, sort, or licence) have changed, that doesn't really
make sense. Just disable it if the user changes any of them.
Make sure that filenames in the freesound results list are escaped
properly for the tooltip, and append the full licence URL returned to the
tooltip too.
Make the filename column Gtk::TREE_VIEW_COLUMN_FIXED, so that it doesn't
expand to the width of the longest filename in the results and push the
columns to the right out of view. Resizing the import dialogue larger
still allows longer file names to be seen, and it's still possible to
manually resize the filename column as well.
Only show the hours & minutes in the duration column if they're non-zero,
and justify them right.
Add a drop-down list to the freesound import tab, to optionally restrict
search results to "CC-BY", "CC-BY-NC", or "PD" only licensed sound
files. Defaults to "Any", which will return sounds with any licence.
