Reorganising the Tracks subchapter. Adding Bus and VCA in the Track Type page
This commit is contained in:
Ed Ward
parent
a113d1eda6
commit
8e3323a323
34
include/channel-configuration.html
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34
include/channel-configuration.html
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<p>
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Ardour tracks can have any number of inputs and any number of outputs, and the
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number of either can be changed at any time (subject to restrictions caused by
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any plugins in a track). However it is useful to not have to configure this sort
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of thing for the most common cases, and so the
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<a href="@@adding-tracks-busses-and-vcas">Add Tracks</a> dialog allows to
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select "Mono", "Stereo" and few other typical multichannel presets
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</p>
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<p>
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The name of the preset describes the number of <dfn>input channels</dfn>
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of the track or bus.
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</p>
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<p>
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If Ardour is configured to automatically connect new tracks and
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busses, the number of outputs will be determined by the number of
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inputs of the <dfn>master <a
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href="@@understanding-basic-concepts-and-terminology#busses">bus</a></dfn>,
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to which the track outputs will be connected.
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</p>
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<p>
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For example, with a two-channel master bus, a Mono track has one
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input and two outputs; a Stereo track has two inputs and two outputs.
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</p>
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<p class="note">
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If <kbd class="menu">Edit > Preferences > Signal Flow
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> Track and Bus Connections</kbd> is set to <kbd
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class="menu">manual</kbd>, then tracks will be left disconnected by default
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and there will be as many outputs as there are inputs. It is up to the user to connect
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them as desired. This is not a particularly useful way to work unless something
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fairly unusual is done with signal routing and processing. It is almost always
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preferable to leave Ardour make connections automatically, even if some changes
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are manually done later.
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</p>
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52
include/track-modes.html
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52
include/track-modes.html
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<p>
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Audio tracks in Ardour have a <dfn>mode</dfn> which affects how they behave
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when recording:
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</p>
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<table class="dl">
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<tr><th>Normal</th>
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<td>Tracks in <dfn>normal mode</dfn> will record non-destructively—new
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data is written to new files, and when overdubbing, new regions will be
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layered on top of existing ones. This is the recommended mode for most
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workflows.
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</td></tr>
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<tr><th>Non-Layered</th>
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<td>Tracks using <dfn>non-layered mode</dfn> will record
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non-destructively—new data is written to new files, but when
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overdubbing, the existing regions are trimmed so that there are no overlaps.
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This does not affect the previously recorded audio data, and trimmed regions
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can be expanded again at will. Non-layered mode can be very useful for spoken
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word material, especially in combination with
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<a href="@@pushpull-trimming">push/pull trimming</a>.
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</td></tr>
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<tr><th>Tape</th>
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<td><dfn>Tape-mode</dfn> tracks do <strong>destructive</strong> recording:
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all data is recorded to a single file and if a section of
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existing data is overdub, the existing data is destroyed irrevocably—there is no
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undo. Fixed crossfades are added at every punch in and out point. This mode
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can be useful for certain kinds of re-recording workflows, but is not
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suggested for normal
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use.</td></tr>
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</table>
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<figure class="right">
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<img src="/images/a3_nonlayered_example.png" alt="Normal and non-layered overdubbing comparision">
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<figcaption>
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Normal and non-layered overdubbing comparision
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</figcaption>
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</figure>
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<p>
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The screenshot on the right shows the subtle difference between an overdub
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in <dfn>normal mode</dfn> (upper track) and one in <dfn>non-layered mode</dfn>
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(lower track). Both tracks were created using identical audio data.
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</p>
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<p>
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The upper track shows a new region which has been <dfn>layered on
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top</dfn> of the the existing (longer) region. It can be seen by the region
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name strips.
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</p>
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<p>
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The lower track has split the existing region in two, trimmed each new
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region to create space for the new overdub, and inserted the overdub region
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in between.
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</p>
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@ -21,116 +21,50 @@
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</p>
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</p>
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<table class="dl">
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<table class="dl">
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<tr><th>Audio</th>
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<tr><th>Audio</th>
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<td>An <dfn>Audio Track</dfn> is created with a user-specified number of
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<td>An <dfn>Audio Track</dfn> is created with a user-specified number of
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inputs. The number of outputs is defined by the master bus channel count
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inputs. The number of outputs is defined by the master bus channel count
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(for details see <a href="#channelconfiguration">Channel Configuration</a>
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(for details see <a href="#channelconfiguration">Channel Configuration</a>
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below). This is the type of track to use when planning to work with
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below). This is the type of track to use when planning to work with
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existing or newly recorded audio.</td></tr>
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existing or newly recorded audio.</td></tr>
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<tr><th>MIDI</th>
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<tr><th>MIDI</th>
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<td>A <dfn>MIDI track</dfn> is created with a single MIDI input, and a
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<td>A <dfn>MIDI track</dfn> is created with a single MIDI input, and a
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single MIDI output. This is the type of track to use when planning to
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single MIDI output. This is the type of track to use when planning to
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record and play back MIDI. There are several methods to enable playback
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record and play back MIDI. There are several methods to enable playback
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of a MIDI track: add an instrument plugin to the track, connect the
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of a MIDI track: add an instrument plugin to the track, connect the
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track to a software synthesizer, or connect it to external MIDI hardware.
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track to a software synthesizer, or connect it to external MIDI hardware.
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<p class="note">
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<p class="note">
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If an instrument plugin is added, the MIDI track outputs audio alongside
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If an instrument plugin is added, the MIDI track outputs audio alongside
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MIDI data.
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MIDI data.
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</p></td></tr>
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</p></td></tr>
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<tr><th>Audio/MIDI</th>
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<tr><th>Audio/MIDI</th>
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<td>There are a few notable plugins that can usefully accept both <dfn>Audio
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<td>There are a few notable plugins that can usefully accept both <dfn>Audio
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and MIDI</dfn> data (Reaktor is one, and various "auto-tune" like plugins
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and MIDI</dfn> data (Reaktor is one, and various "auto-tune" like plugins
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are another). It can be tricky to configure this type of track manually,
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are another). It can be tricky to configure this type of track manually,
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so Ardour allows to select this type specifically for use with such
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so Ardour allows to select this type specifically for use with such
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plugins. It is <em>not</em> generally the right choice when working normal
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plugins. It is <em>not</em> generally the right choice when working normal
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MIDI tracks, and a dialog will warn of this.</td></tr>
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MIDI tracks, and a dialog will warn of this.</td></tr>
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<tr><th>Audio or MIDI Bus</th>
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<td>A bus is a pseudo-track where multiple audio tracks can be mixed together
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for some common processing before being routed to the Master Bus (which itself
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is a bus). A bus doesn't contain any regions or audio/MIDI data, it is fed a
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signal by <a href="@@aux-sends">sends</a> from one or multiple other tracks, or
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by <a href="@@audiomidi-busses-mixer-strips">connecting tracks outputs</a> to
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the bus' input. Busses are often used to apply one effect on multiple tracks,
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with the benefits of having the same parameters and less computer processing
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required as only one instance of the plugin is used.<br>
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Ardour can differentiate Audio busses from MIDI busses, allowing e.g. one
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instrument plugin to be used for several MIDI tracks.<br>
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A bus output can also be routed to another bus.
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</td></tr>
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<tr><th>VCA</th>
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<td>A <abbr title="Voltage-Controlled Amplifier">VCA</abbr> is a way to group
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together tracks or busses to enable grouped-control over gain, solo and mute.
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Like the Bus, it does not contain regions, but unlike it, it does not contain
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effects. VCAs are commonly used to group together related tracks (e.g. "drums"
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or "vocals") to allow controlling the gain of all those tracks at once in the
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mix while retaining their relative gain.<br>
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VCAs are fed audio by <a href="@@control-masters-mixer-strips">assigning them</a>
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to one or multiple track(s) or bus(ses).
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</td></tr>
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</table>
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</table>
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<h2 id="trackmodes">Track Modes</h2>
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<p>
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Audio tracks in Ardour have a <dfn>mode</dfn> which affects how they behave
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when recording:
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</p>
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<table class="dl">
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<tr><th>Normal</th>
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<td>Tracks in <dfn>normal mode</dfn> will record non-destructively—new
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data is written to new files, and when overdubbing, new regions will be
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layered on top of existing ones. This is the recommended mode for most
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workflows.
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</td></tr>
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<tr><th>Non-Layered</th>
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<td>Tracks using <dfn>non-layered mode</dfn> will record
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non-destructively—new data is written to new files, but when
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overdubbing, the existing regions are trimmed so that there are no overlaps.
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This does not affect the previously recorded audio data, and trimmed regions
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can be expanded again at will. Non-layered mode can be very useful for spoken
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word material, especially in combination with
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<a href="@@pushpull-trimming">push/pull trimming</a>.
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</td></tr>
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<tr><th>Tape</th>
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<td><dfn>Tape-mode</dfn> tracks do <strong>destructive</strong> recording:
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all data is recorded to a single file and if a section of
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existing data is overdub, the existing data is destroyed irrevocably—there is no
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undo. Fixed crossfades are added at every punch in and out point. This mode
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can be useful for certain kinds of re-recording workflows, but is not
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suggested for normal
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use.</td></tr>
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</table>
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<figure class="right">
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<img src="/images/a3_nonlayered_example.png" alt="Normal and non-layered overdubbing comparision">
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<figcaption>
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Normal and non-layered overdubbing comparision
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</figcaption>
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</figure>
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<p>
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The screenshot on the right shows the subtle difference between an overdub
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in <dfn>normal mode</dfn> (upper track) and one in <dfn>non-layered mode</dfn>
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(lower track). Both tracks were created using identical audio data.
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</p>
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<p>
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The upper track shows a new region which has been <dfn>layered on
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top</dfn> of the the existing (longer) region. It can be seen by the region
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name strips.
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</p>
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<p>
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The lower track has split the existing region in two, trimmed each new
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region to create space for the new overdub, and inserted the overdub region
|
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in between.
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</p>
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<h2 id="channelconfiguration">Channel Configuration</h2>
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<p>
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Ardour tracks can have any number of inputs and any number of outputs, and the
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number of either can be changed at any time (subject to restrictions caused by
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any plugins in a track). However it is useful to not have to configure this sort
|
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of thing for the most common cases, and so the
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<a href="@@adding-tracks-busses-and-vcas">Add Tracks</a> dialog allows to
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select "Mono", "Stereo" and few other typical multichannel presets
|
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</p>
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<p>
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The name of the preset describes the number of <dfn>input channels</dfn>
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of the track or bus.
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</p>
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<p>
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If Ardour is configured to automatically connect new tracks and
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busses, the number of outputs will be determined by the number of
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inputs of the <dfn>master <a
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href="@@understanding-basic-concepts-and-terminology#busses">bus</a></dfn>,
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to which the track outputs will be connected.
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</p>
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<p>
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For example, with a two-channel master bus, a Mono track has one
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input and two outputs; a Stereo track has two inputs and two outputs.
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</p>
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<p class="note">
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If <kbd class="menu">Edit > Preferences > Signal Flow
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> Track and Bus Connections</kbd> is set to <kbd
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class="menu">manual</kbd>, then tracks will be left disconnected by default
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and there will be as many outputs as there are inputs. It is up to the user to connect
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them as desired. This is not a particularly useful way to work unless something
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fairly unusual is done with signal routing and processing. It is almost always
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preferable to leave Ardour make connections automatically, even if some changes
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are manually done later.
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</p>
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@ -816,14 +816,6 @@ uri: working-with-tracks
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part: chapter
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part: chapter
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---
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---
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---
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title: Track Types
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include: track-types.html
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link: track-types
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uri: working-with-tracks/track-types
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part: subchapter
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---
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---
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---
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title: Adding Tracks, Busses and VCAs
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title: Adding Tracks, Busses and VCAs
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include: adding-tracks-busses-and-vcas.html
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include: adding-tracks-busses-and-vcas.html
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@ -833,37 +825,44 @@ part: subchapter
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---
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---
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---
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---
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title: Controlling Track Ordering
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title: Track Types
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include: controlling-track-ordering.html
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include: track-types.html
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link: controlling-track-ordering
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link: track-types
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uri: working-with-tracks/controlling-track-ordering
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uri: working-with-tracks/track-types
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part: subchapter
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part: subchapter
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---
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---
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---
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---
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title: Track Context Menu
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title: Track Modes
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include: track-context-menu.html
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include: track-modes.html
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link: track-context-menu
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link: track-modes
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uri: working-with-tracks/track-context-menu
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uri: working-with-tracks/track-modes
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part: subchapter
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part: subchapter
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---
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---
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---
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---
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title: Controlling Track Appearance
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title: Track Layering
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include: controlling-track-appearance.html
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link: controlling-track-appearance
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uri: working-with-tracks/controlling-track-appearance
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part: chapter
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---
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---
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title: Layering Display
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include: layering-display.html
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include: layering-display.html
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link: layering-display
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link: layering-display
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uri: working-with-tracks/controlling-track-appearance/layering-display
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uri: working-with-tracks/controlling-track-appearance/layering-display
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part: subchapter
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part: subchapter
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---
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---
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---
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title: Channel Configuration
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include: channel-configuration.html
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link: channel-configuration
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part: subchapter
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---
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---
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title: Track Ordering
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include: controlling-track-ordering.html
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link: controlling-track-ordering
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uri: working-with-tracks/controlling-track-ordering
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part: subchapter
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---
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---
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---
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title: Track Color
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title: Track Color
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include: track-color.html
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include: track-color.html
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@ -888,6 +887,14 @@ uri: working-with-tracks/controlling-track-appearance/waveform-display
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part: subchapter
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part: subchapter
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---
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---
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---
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title: Track Context Menu
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include: track-context-menu.html
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link: track-context-menu
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uri: working-with-tracks/track-context-menu
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part: subchapter
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---
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---
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---
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title: Importing and Exporting Session Data
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title: Importing and Exporting Session Data
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menu_title: Import/Export Session Data
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menu_title: Import/Export Session Data
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Loading…
Reference in New Issue
Block a user