manual/include/metering-in-ardour.html

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<h2>Introduction</h2>
<p>
An engineer reading and using audio level meters compares to a musician
reading or writing sheet-music. Just like there are virtuoso musicians
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who can't read a single note, there are great sound-engineers who just
go by their ears and produce great mixes and masters without ever looking
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at a single meter.
</p>
<p>
Yet, if you want to work in or with the broadcast industry, it is
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usually unavoidable to use meters.
</p>
<p>
Audio level meters are very powerful tools that are useful in every
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part of the entire production chain:
</p>
<ul>
<li>When tracking, meters are used to ensure that the input
signal does not <dfn>overload</dfn> and maintains reasonable
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<dfn>headroom</dfn>.</li>
<li>Meters offer a <dfn>quick visual indication</dfn> of a
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activity when working with a large number of tracks.</li>
<li>During mixing, meters provide an rough estimate of the
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<dfn>loudness</dfn> of each track.</li>
<li>At the mastering stage, meters are used to check
compliance with upstream <dfn>level</dfn> and <dfn>loudness
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standards</dfn> and to optimize the <dfn>loudness range</dfn>
for a given medium.</li>
</ul>
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<h2>Meter Types</h2>
<p>
A general treatise on metering is beyond the scope of this
manual. It is a complex subject with a history&hellip;
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For background information and further reading we recommend:
</p>
<ul>
<li><a href="http://www.digido.com/how-to-make-better-recordings-part-2.html">How To Make Better Recordings in the 21st Century&mdash;An Integrated Approach to Metering, Monitoring, and Leveling Practices</a> by Bob Katz. Has a good historic overview of meters and motivates the K-meter</li>
<li><a href="https://en.wikipedia.org/wiki/Peak_programme_meter#Table_of_characteristics">Wikipedia: Peak programme meter</a>&mdash;overview of meter types.</li>
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<li>"Audio Metering: Measurements, Standards and Practice: Measurements, Standards and Practics", by Eddy Brixen. ISBN: 0240814673</li>
<li>"Art of Digital Audio", by John Watkinson. ISBN: 0240515870</li>
</ul>
<p>
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There are different metering standards, most of which are available in Ardour. In short:
</p>
<dl>
<dt>Digital peak-meter</dt>
<dd>A <dfn>Digital Peak Meter</dfn> displays the absolute maximum signal
of the raw audio PCM signal (for a given time). It is commonly used when
tracking to make sure the recorded audio never clips. To that end, DPMs
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are always calibrated to 0&nbsp;<abbr title="DeciBel Full
Scale">dBFS</abbr>, or the maximum level that can be represented digitally
in a given system. This value has no musical reason whatsoever and depends
only on the properties of the signal chain or target medium. There are
conventions for <dfn>fall-off-time</dfn> and <dfn>peak-hold</dfn>, but no
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exact specifications.
<p>
Various conventions for DPM fall-off times and dBFS line-up level can be
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chosen in <kbd class="menu">Edit &gt; Preferences &gt; GUI</kbd>.
</p>
</dd>
<dt>RMS meters</dt>
<dd>An <dfn><abbr title="Root Mean Square">RMS</abbr>-type meter</dfn>
is an averaging meter that looks at the energy in the signal. It
provides a general indication of loudness as perceived by humans. Ardour
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features three RMS meters, all of which offer additonal peak indication.
<ul>
<li><dfn>K20</dfn>: A meter according to the K-system introduced by Bob
Katz, scale aligned to -20&nbsp;dBFS, rise/fall times and color schema
according to spec.</li>
<li><dfn>K14</dfn>: Same as K20 with scale aligned to -14&nbsp;dBFS.</li>
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<li><dfn>K12</dfn>: Same as K20 with scale aligned to -12&nbsp;dBFS (since 3.5.143).</li>
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<li><dfn>Peak + RMS</dfn>: standard RMS, customizable via
<kbd class="menu">Edit &gt; Preferences &gt; GUI &gt; Metering</kbd></li>
</ul>
</dd>
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<dt>IEC PPMs</dt>
<dd><dfn><abbr title="International Electrontechnical Commission">IEC</abbr>-type
<abbr title="Peak Programme Meters">PPM</abbr>s</dfn> are a mix between DPMs and
RMS meters, created mainly for the purpose of
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interoperability. Many national and institutional varieties exist (<abbr
title="European Broadcasting Union">EBU</abbr>, <abbr title="British Broadcasting
Corporation">BBC</abbr>, <abbr title="Deutsche Industrie-Norm">DIN</abbr>).
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<p>
These loudness and metering standards provide a common point of
reference which is used by broadcasters in particular so that the
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interchange of material is uniform across their sphere of influence,
regardless of the equipment used to play it back.
</p>
<p>
For home recording, there is no real need for this level of
interoperability, and these meters are only strictly required when
working in or with the broadcast industry. However, IEC-type meters have
certain characteristics (rise-time, ballistics) that make them useful
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outside the context of broadcast.
</p>
<p>
Their specification is very exact, and consquently, there are no
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customizable parameters.
</p>
</dd>
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<dt>VU meters</dt>
<dd><dfn><abbr title="Volume Unit">VU</abbr> meters</dfn> are the dinosaurs (1939)
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amongst the meters. They react very slowly, averaging out peaks.
Their specification is very strict (300ms rise-time, 1&ndash;1.5% overshoot,
flat frequency response). Ardour's VU meter adheres to that spec, but for
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visual consistency it is displayed as a bar-graph rather than needle-style
(more below).
</dd>
</dl>
<h2>Ardour Specifics</h2>
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<img class="right" src="/images/mixer-meter-context-menu.png" alt="mixer strip meter context menu" />
<p>
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Meters are available in various places in ardour:
</p>
<ul>
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<li>The mixer window features fixed height meters for each <dfn>channel strip</dfn>.</li>
<li>There are small (narrow) meters on each <dfn>track-header</dfn> in the editor window.</li>
<li>There are variable height meters in the <dfn>meterbridge window</dfn>.</li>
<li>Optionally, a fixed-size <dfn>master meter</dfn> can be displayed in the main toolbar.</li>
<li>Various other locations (<dfn>file import</dfn>, <dfn>sends</dfn>) have level-meters.</li>
</ul>
<p>
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They all share the same configuration and color-theme which is available in
preferences and the theme-manager. Settings for the Peak and RMS+Peak meters
as well as VU meter standards are found in
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<kbd class="menu">Edit &gt; Preferences &gt; GUI &gt; Metering</kbd>.
</p>
<p>
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The type of meter and the <dfn>metering point</dfn> (the place in the signal chain
where the meter taps the signal) are configurable in the context menu of each meter.
Depending on the <kbd class="menu">Edit &gt; Preferences &gt; GUI &gt; Mixer
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Strip</kbd> settings, the metering point is also accessible via a button in
each Mixer strip.
</p>
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<img class="right" src="/images/meter-preferences.png" alt="" />
<p>
Regardless of meter type and standard the meter display will highlight red if
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the signal on the given channel exceeds the configured peak threshold.
</p>
<p>
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<kbd class="mouse">Left</kbd> on the peak-indicator button resets the
<dfn>peak-hold indicator</dfn> of a single channel.<br>
<kbd class="mod1 mouse">Left</kbd> resets a whole <dfn>group</dfn>, and<br/>
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<kbd class="mod13 mouse">Left</kbd> resets all meters.
</p>
<h2>Overview of meter types</h2>
<p>
The figure on the left shows all available meter-types in Ardour 3.4 when fed with a
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-18&nbsp;dBFS 1&nbsp;kHz sine wave.
</p>
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<img class="right" style="max-width:45%;height:400px;" src="/images/needle-meters-18.png"
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alt="Needle-style meters as external LV2 plugins" />
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<img style="max-width:45%; height:400px" src="/images/meter-types-18.png"
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alt="Bar-graph meters in Ardour" />
<p>
Due to layout concerns and consistent look&amp;feel all meters available in
Ardour itself are bar-graph type meters. Corresponding needle-style
meters&mdash;which take up more visual screen space&mdash;are available as
LV2 plugins (see image on the right):
<a href="https://github.com/x42/meters.lv2/">meters.lv2</a>.
</p>