various validator fixes all over the place.
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@ -4,29 +4,31 @@ title: Why is it called Ardour?
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---
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<p>
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The name "Ardour" came from considerations of how to pronounce the acronym
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<abbr title="Hard Disk Recorder">HDR</abbr>. The most obvious attempt sounds
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like a vowelless "harder" and it then was then a short step to an unrelated
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but slightly homophonic word:
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The name <dfn>"Ardour"</dfn> came from considerations of how to pronounce the acronym
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<abbr title="Hard Disk Recorder">HDR</abbr>. The most obvious attempt sounds
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like a vowelless "harder" and it then was then a short step to an unrelated
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but slightly homophonic word:
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</p>
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<blockquote>
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<dfn>ardour</dfn> n 1: a feeling of strong eagerness (usually in favor of
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a person or cause); "they were imbued with a revolutionary ardor"; "he
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felt a kind of religious zeal" [syn: ardor, elan, zeal]<br />
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2: intense feeling of love [syn: ardor]<br />
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3: feelings of great warmth and intensity; "he spoke with great ardor"
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[syn: ardor, fervor, fervour, fervency, fire, fervidness]
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<p>
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<dfn>ardour</dfn> n 1: a feeling of strong eagerness (usually in favor of
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a person or cause); "they were imbued with a revolutionary ardor"; "he
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felt a kind of religious zeal" [syn: ardor, elan, zeal]<br />
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2: intense feeling of love [syn: ardor]<br />
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3: feelings of great warmth and intensity; "he spoke with great ardor"
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[syn: ardor, fervor, fervour, fervency, fire, fervidness]
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</p>
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</blockquote>
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<p>
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Given the work required to develop Ardour, and the personality of its
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primary author, the name seemed appropriate even without the vague
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relationship to HDR.
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Given the work required to develop Ardour, and the personality of its
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primary author, the name seemed appropriate even without the vague
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relationship to HDR.
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</p>
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<p>
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Years later, another interpretation of "Ardour" appeared, this time based
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on listening to non-native English speakers attempt to pronounce the word.
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Rather than "Ardour", it became "Our DAW", which seemed poetically fitting
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for a Digital Audio Workstation whose source code and design belongs to a
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group of collaborators.
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Years later, another interpretation of "Ardour" appeared, this time based
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on listening to non-native English speakers attempt to pronounce the word.
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Rather than "Ardour", it became "Our DAW", which seemed poetically fitting
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for a Digital Audio Workstation whose source code and design belongs to a
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group of collaborators.
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</p>
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@ -52,8 +52,8 @@ title: About Ardour documentation
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<p>
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Some GUI elements can optionally be controlled with the mouse wheel when
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the pointer is hovering over them. The notation for mouse wheel action is
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<kbd class="mouse">⇑</kbd> <kbd class="mouse">⇐</kbd></dt>
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<kbd class="mouse">⇓</kbd> <kbd class="mouse">⇒</kbd></dt>
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<kbd class="mouse">⇑</kbd> <kbd class="mouse">⇐</kbd>
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<kbd class="mouse">⇓</kbd> <kbd class="mouse">⇒</kbd>.
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</p>
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<h4>Context-click</h4>
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@ -7,14 +7,14 @@ title: MIDI on Linux
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<p>
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<dfn>a2jmidid</dfn> is an application that bridges between the system
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<abbr title="Musical Instrument Digital Interface">MIDI</abbr> ports and
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<abbt title="JACK Audio Connection Kit">JACK</abbr>.
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<abbr title="JACK Audio Connection Kit">JACK</abbr>.
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</p>
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<p>
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First you should make sure that there is no ALSA sequencer support enabled
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in JACK. To do that open QJackCtl's <kbd class="menu">Setup</kbd> window.
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</p>
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<p>
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Set <kbd class="menu">Settings > MIDI Driver</kbd> to <kbd
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Set <kbd class="menu">Settings > MIDI Driver</kbd> to <kbd
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class="input">none</kbd>.
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Then uncheck the <kbd class="optoff">Misc > Enable ALSA Sequencer
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support</kbd> option.<br />
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@ -132,7 +132,7 @@ title: Ubuntu Linux
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derivitives be directed to them.
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</p>
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<h3>Contact Information for Ubuntu Studio</h3>
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<p><a href="http://ubuntustudio.org" target="_blank">The Ubuntu Studio Homepage</a></p>
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<p><a href="http://ubuntuforums.org/forumdisplay.php?f=335" target="_blank">The Ubuntu Studio Forums.</a></p>
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<p><a href="https://help.ubuntu.com/community/UbuntuStudio/MailLists" target="_blank">Information on the Ubuntu Studio Mailing Lists.</a></p>
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<p><a href="https://help.ubuntu.com/community/UbuntuStudio/IRC" target="_blank">Information on the Ubuntu Studio IRC channel.</a> #ubuntustudio on irc.freenode.net</p>
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<p><a href="http://ubuntustudio.org">The Ubuntu Studio Homepage</a></p>
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<p><a href="http://ubuntuforums.org/forumdisplay.php?f=335">The Ubuntu Studio Forums.</a></p>
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<p><a href="https://help.ubuntu.com/community/UbuntuStudio/MailLists">Information on the Ubuntu Studio Mailing Lists.</a></p>
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<p><a href="https://help.ubuntu.com/community/UbuntuStudio/IRC">Information on the Ubuntu Studio IRC channel.</a> #ubuntustudio on irc.freenode.net</p>
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@ -28,7 +28,7 @@ title: Starting Ardour
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</p>
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<p>
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If you open Ardour without specifying an existing session it will display
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the <kbd class="menu">Session > New...</kbd> dialog. If JACK is not already
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the <kbd class="menu">Session > New...</kbd> dialog. If JACK is not already
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running, there will be an extra <kbd class="menu">Audio Engine</kbd> tab in
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that dialog to configure JACK, which Ardour will then start automatically.
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</p>
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@ -23,6 +23,6 @@ menu-title: Starting from Linux Cmdline
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<p>
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To start Ardour with a new, named session:
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</p>
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<kbd class="cmd lin">ardour3 -N <em>/path/to/session</kbd>
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<kbd class="cmd lin">ardour3 -N <em>/path/to/session</em></kbd>
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<h3>Other Command Line Options</h3>
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@ -3,8 +3,8 @@ layout: default
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title: Ranges & Marks List
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---
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<p>For information on this list see <a href="/working-with-markers/getting-to-know-the-rangesmarks-list">Getting To Know the Ranges & Marks List</a> in the "Working with Markers" section of the manual.</p>
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<p>
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For information on this list see
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<a href="/working-with-markers/getting-to-know-the-rangesmarks-list">Getting To Know the Ranges
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& Marks List</a> in the "Working with Markers" section of the manual.</p>
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@ -69,7 +69,7 @@ title: Using Ardour Clock Displays
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<p>
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Every clock in Ardour has four different, selectable <dfn>clock
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modes</dfn>. Each mode displays time using different units.
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You can change the clock mode by <kdb class="mouse">Right</kbd>-clicking
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You can change the clock mode by <kbd class="mouse">Right</kbd>-clicking
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on the clock and selecting the desired mode from the menu. Some clocks are
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entirely independent of any other clock's mode; others are linked so that
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changing one changes all clocks in that group. The different modes are:
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@ -51,7 +51,6 @@ title: Metering in Ardour
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</p>
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<dl>
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<dt>Digital peak-meter</dt>
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<dd>A <dfn>Digital Peak Meter</dfn> displays the absolute maximum signal
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of the raw audio PCM signal (for a given time). It is commonly used when
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<li><dfn>Peak + RMS</dfn>: standard RMS, customizable via
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<kbd class="menu">Edit > Preferences > GUI > Metering</kbd></li>
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</ul>
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</dd>
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<dt>IEC PPMs</dt>
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<dd><dfn><abbr title="International Electrontechnical Commission">IEC</abbr>-type
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customizable parameters.
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</p>
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</dd>
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<dt>VU meters</dt>
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<dd><dfn><abbr title="Volume Unit">VU</abbr> meters</dfn> are the dinosaurs (1939)
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amongst the meters. They react very slowly, averaging out peaks.
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Regardless of meter type and standard the meter display will highlight red if
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the signal on the given channel exceeds the configured peak threshold.
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</p>
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<br clear="all"/>
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<p>
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<kbd class="mouse">Left</kbd> on the peak-indicator button resets the
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<dfn>peak-hold indicator</dfn> of a single channel.<br />
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@ -4,14 +4,14 @@ title: Looping the Transport
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---
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<p>
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When the <lfn>loop transport</dfn> button is pressed, the playhead will
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When the <dfn>loop transport</dfn> button is pressed, the playhead will
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jump the start of the loop range, and continue to the end of that range
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before returning to the start and repeating.
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While looping, a light green area is displayed in the time ruler over
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the tracks to show the loop range.
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</p>
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<p>
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By default, looping is bound to the <kbd>L</kbd> key.
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By default, looping is bound to the <kbd>l</kbd> key.
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</p>
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<p>
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For more information on defining and altering the loop range see
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the range to a <dfn>CD track</dfn>, which will again be included in
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exported TOC or CUE files. This is relevant for Disk-At-Once recordings
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that may contain audio data between tracks.</dd>
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</dl>
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@ -9,7 +9,7 @@ title: Punch Range
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</p>
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<p>
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It can be defined on the <a href="/missing">timeline</a> or in the
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<a href="/working-with-markers/rangesmarks-list/">Ranges & Marks
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<a href="/working-with-markers/rangesmarks-list/">Ranges & Marks</a>
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list.
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</p>
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@ -82,7 +82,7 @@ Setup Dialog"/>
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ing_more_than_one_audio_device/">merge its separate input and
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output devices into a single "aggregate device"</a> before
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Ardour will be able to use it.
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<p>
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</p>
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</dd>
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<dt>Sample Rate</dt>
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<dd>
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@ -13,7 +13,7 @@ title: Interchange with other DAWs
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<li>AAF (Advanced Authoring Format). Developed by a consortium of media-related
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corporations.</li>
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</ul>
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<p
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<p>
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In practice both of these standards have such complex and/or incomplete
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specifications that different DAWs support them only partially,
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differently, or not at all.
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@ -4,7 +4,7 @@ title: Layering Display
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---
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<img class="right" style="clear:both" src="/images/track-layer-dialog.png"
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alt="Track layering menu" /></p>
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alt="Track layering menu" />
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<p>
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Ardour allows arbitrary <dfn>layering</dfn> of regions — you can
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have as many regions you wish at a given position. By default, the regions are
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class="menu">overlaid</kbd> is currently selected. Click on <kbd
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class="menu">stacked</kbd> and the track display changes to this:
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</p>
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<img src="/files/a3/a3_layers_stacked.png" alt="overlapping regions in stacked mode" /></p>
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<img src="/files/a3/a3_layers_stacked.png" alt="overlapping regions in stacked mode" />
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<p>
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You can still move regions around as usual, and in fact you can
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even drag them so that they overlay each again, but when you
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@ -194,7 +194,7 @@ title: Mnemonic Bindings for OS X
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<dt>align start(s)</dt>
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<dd></dd>
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<dt>align start(s) relative</dt>
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<dd></kbd></dd>
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<dd><kbd class=""></kbd></dd>
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<dt>align sync points</dt>
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<dd><kbd class="mod3">a</kbd></dd>
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<dt>align sync points (relative)</dt>
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@ -15,7 +15,7 @@ title: Preferences and Session Properties
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</li>
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<li><dfn>Session properties</dfn> control aspects of the workflow or
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configuration that pertain to the current session only. You can find them
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in <kbd class="menu">Session &t; Properties</kbd>, and they will be stored
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in <kbd class="menu">Session > Properties</kbd>, and they will be stored
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in the session file.
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</li>
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</ul>
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@ -12,7 +12,7 @@ title: Controlling Ardour with OSC
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<p>
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Ardour is probably one of the most OSC-controllable audio applications
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around, but as with all OSC-controllable apps, you can't do much without
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knowing what </dfn>messages</dfn> can be sent. This document describes the
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knowing what <dfn>messages</dfn> can be sent. This document describes the
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various categories of messages that Ardour understands. It is subject to
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change, particularly the "Actions" part below, since this relates to the
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GTK GUI for Ardour rather than the backend.
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@ -25,7 +25,7 @@ QJackctl, aconnect, Patchage, and more.
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<ol>
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<li>Enable Generic MIDI control: <kbd class="menu">Edit > Preferences
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> Control Surfaces > Generic MIDI</li>
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> Control Surfaces > Generic MIDI</kbd></li>
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<li>Connect Ardour's MIDI port named <samp>control</samp> to whatever
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hardware or software you want (using a MIDI patchbay app)</li>
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<li><kbd class="mod1 mouse">Middle</kbd>-click on whatever on-screen
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@ -65,8 +65,8 @@ title: Video Timeline Setup
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<em>single machine</em> setup, the <dfn>studio setup</dfn> is focused on modularity.
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</p>
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<ul class="fixme">TODO</p>
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<ul class="fixme">
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<li>TODO:</li>
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<li>Synchronization ardour → video-display-box should be accomplished by external
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means jack-transport(netjack), MTC, LTC
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(<abbr title="Open Sound Control - "postmodern MIDI"">OSC</abbr> and/or
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@ -44,7 +44,7 @@ title: Workflow & Operations
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session folder. A location other than the session folder can also be
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chosen (external disk, or network storage of the video server on a different
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machine).</dd>
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<dt><kbd class="menu">Reference from Current Location</kbd>
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<dt><kbd class="menu">Reference from Current Location</kbd></dt>
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<dd>Only useful for opening files that were previously encoded (are already
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in a good format/codec). Use with care.</dd>
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<dt><kbd class="menu">Do not Import Video</kbd></dt>
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