7a4c28bd86
This includes rewriting out all of the "you" language that was peppered throughout, fixing inconsistencies in layout, and removing <br>s wherever they were misused and unnecessary (which was quite a lot).
35 lines
1.6 KiB
HTML
35 lines
1.6 KiB
HTML
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<p>There are three basic ways to approach monitoring: </p>
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<h3>External Monitoring</h3>
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<img class="right"
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src="/images/external-monitoring.png" />
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<p>When using <dfn>external monitoring</dfn>, Ardour plays no role in
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monitoring at all. Perhaps the recording set-up has an external mixer which
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can be used to set up monitor mixes, or perhaps the sound-card being used
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has a "listen to the input" feature. This approach yields zero or near-zero
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latency. On the other hand it requires external hardware, and the monitoring
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settings are less flexible and not saved with the session.</p>
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<h3>JACK-Based Hardware Monitoring</h3>
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<img class="right" src="/images/jack-monitoring.png" />
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<p>Some sound cards have the ability
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to mix signals from their inputs to their outputs with very low or even zero
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latency, a feature called <dfn>hardware monitoring</dfn>.
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Furthermore, on some cards this function can be controlled by JACK. This is a nice arrangement,
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if the sound card supports it, as it combines the convenience of having the
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monitoring controlled by Ardour with the low latency operation of doing it
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externally.
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</p>
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<h3>Software Monitoring</h3>
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<img class="right" src="/images/ardour-monitoring.png" />
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<p>With the <dfn>software monitoring</dfn> approach, all monitoring is
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performed by Ardour—it makes track inputs available at track
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outputs, governed by various controls. This approach will almost always have
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more routing flexibility than JACK-based monitoring. The disadvantage is
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that there will be some latency between the input and the output, which
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depends for the most part on the JACK buffer size that is being used.
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</p>
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