cd424ba51a
Typo fixes, improving readability, conforming to the style guide, etc.
192 lines
5.6 KiB
HTML
192 lines
5.6 KiB
HTML
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<p>
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When you have finished mixing your session, you probably want to export it to a sound
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file to burn to a CD, upload to the web, or whatever. <kbd class="menu">Session > Export > Export to Audio file(s)…</kbd>
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shows the Export Dialog to do this.
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</p>
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<p>
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You can also export the outputs of multiple tracks and busses all at once via
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<kbd class="menu">Session > Export > Stem Export…</kbd>.
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</p>
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<h2>File Format</h2>
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<figure>
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<img src="/images/export-dialog-file-format.png" alt="The Export window">
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<figcaption>
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The Export window
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</figcaption>
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</figure>
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<p>
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This tab contains controls for the format of the exported audio file.
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You can enable more than one format here, in which case each will be exported in turn.
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Ardour is supplied with a list of export formats, including:
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</p>
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<ul>
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<li>CD (Red Book)</li>
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<li>DVD-A</li>
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<li>FLAC 24 bit </li>
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<li>FLAC 24 bit (tagged)</li>
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<li>Ogg_Vorbis</li>
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<li>Ogg_Vorbis (tagged)</li>
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<li>Ring Tone</li>
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</ul>
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<p>
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You can edit these formats, or create your own, with the <a href="@@export-format-profiles">"Edit Export Format Profile"</a> dialog, which
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appears when you click the "Edit" or "New" button to the right of the drop-down list of formats.
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</p>
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<p>
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You can also create a 'Preset' consisting of one or more formats. Ardour provides some ready-made presets, too:
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</p>
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<ul>
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<li>CD + DVD-A</li>
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<li>CD + FLAC</li>
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<li>CD + FLAC (tagged)</li>
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<li>CD + Ogg_Vorbis + FLAC (tagged)</li>
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<li>CD + Ogg_Vorbis</li>
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<li>CD + Ogg_Vorbis (tagged)</li>
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<li>CD only</li>
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<li>DVD-A only</li>
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<li>FLAC</li>
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<li>FLAC (tagged)</li>
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<li>Ogg_Vorbis + FLAC</li>
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<li>Ogg_Vorbis + FLAC (tagged)</li>
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<li>Ogg_Vorbis </li>
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<li>Ogg_Vorbis (tagged)</li>
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</ul>
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<h2>The location</h2>
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<p>
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Aside from providing a way to tell Ardour <em>where</em> to put the created file(s),
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the <dfn>location</dfn> part of the window allows to name the exported files with
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a lot of choice regarding the naming convention, hence blending into the user's
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workflow, and providing a clean way to keep the export folders from beeing cluttered
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with poorly named files.
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</p>
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<p>
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The name of the file(s) can optionnaly be made of:
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</p>
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<ul>
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<li>The session or snapshot's name</li>
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<li>A custom label (i.e., any text)</li>
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<li>A revision number</li>
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<li>The name of the timespan (see below)</li>
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<li>A date (in multiple formats)</li>
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<li>A time (also in multiple format).</li>
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</ul>
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<h2>Soundcloud upload</h2>
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<p>
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When 'Upload to Soundcloud' is ticked on in any format's tab, a pane containing fields
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to enter in Soundcloud account details (email and password), and what should happen
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to the uploaded files will become visible.
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</p>
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<figure>
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<img src="/images/soundcloud-upload.png" alt="Exporting to Soundcloud">
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<figcaption>
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Exporting to Soundcloud
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</figcaption>
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</figure>
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<table class="dl">
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<tr><th>Make files public</th>
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<td>Choose whether to make uploaded files available to anyone via the Soundcloud web site.</td></tr>
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<tr><th>Open uploaded files in browser</th>
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<td>Open each file on soundcloud in your browser after upload.
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If you don't enable this, you can still see the URLs in the Log window.</td></tr>
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<tr><th>Make files downloadable</th>
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<td>Choose whether to allow downloading of files uploaded to Soundcloud.</td></tr>
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</table>
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<h2>Analyze exported audio</h2>
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<figure>
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<img src="/images/export-report-analysis.png" alt="The Export Report/Analysis window">
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<figcaption>
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The Export Report/Analysis window
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</figcaption>
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</figure>
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<p>
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Checking <kbd class="option">Analyze Exported Audio</kbd> shows the Export Report/Analysis
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window. This provides a lot of useful information about the exported file:
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</p>
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<ul>
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<li>the file name and location</li>
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<li>its format</li>
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<li>its channel count</li>
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<li>its sample rate</li>
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<li>its duration and timecode.</li>
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</ul>
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<p>
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It also allows to <kbd class="menu">Play</kbd> the file, and the <kbd class="menu">
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Open Folder</kbd> button gives a quick access to the place where it has been created.
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</p>
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<p>
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The most prominent feature though, are the two generated views of the audio file
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in time (waveform) and frequency (sonograph) domain, and the loudness
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analysis, giving:
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</p>
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<ul>
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<li>the Peak value</li>
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<li>the True Peak value (to take inter sample peaks into account)</li>
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<li>the Normalization Gain (if it has been applied)</li>
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<li>the Integrated Loudness</li>
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<li>the loudness range</li>
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<li>a graph of the multiplicity of the peaks at the different loudness levels.</li>
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</ul>
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<h2>Time Span</h2>
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<figure>
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<img src="/images/export-dialog-timespan.png" alt="The Time Span tab">
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<figcaption>
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The Time Span tab
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</figcaption>
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</figure>
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<p>
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This tab allows you to select the range (or ranges) of the timeline to export. By default, "session" is
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enabled—this will export the whole session from the start marker to the end marker.
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</p>
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<h2>Channels</h2>
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<figure>
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<img src="/images/export-dialog-channels.png" alt="The Channels tab">
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<figcaption>
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The Channels tab
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</figcaption>
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</figure>
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<p>
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Here you can choose which outputs (tracks or busses) should be sent to the exported file.
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</p>
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<h2>Stem Export</h2>
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<figure>
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<img src="/images/export-dialog-stem-export.png" alt="Stem export">
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<figcaption>
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Stem export
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</figcaption>
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</figure>
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<p>
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If you chose 'Stem Export', the 'Channels' tab appears slightly differently:
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in this case each chosen channel (track or bus) is exported to its own file,
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instead of all channels being mixed together into a single file. You can
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choose to export either the region contents or the track output here in this
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case.
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</p>
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