96 lines
3.6 KiB
HTML
96 lines
3.6 KiB
HTML
---
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layout: default
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title: Import Dialog
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---
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<img class="right" src="/images/import-window.png" alt="The import window">
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<p>
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Many sessions will require the use of <dfn>existing material</dfn>,
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whether it consists of audio and/or MIDI data. Using existing samples,
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loops and riffs from files stored on your system can be the basis for
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a new session, or a way to deepen and improve one that is already
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underway.
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</p>
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<p>
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Importing audio and MIDI data into the session is done with the
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<dfn>Add Existing Media</dfn> dialog, accessed by the <kbd class="menu">
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Session > Import</kbd> menu.
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</p>
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<h2>The Soundfile Information Box</h2>
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<p>
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This box will display information about the currently selected file:
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</p>
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<ul>
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<li>number of channels,</li>
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<li>sample rate,</li>
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<li>file format,</li>
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<li>length,</li>
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<li>embedded timestamp (applies to some professional formats such as
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Broadcast WAVE), and</li>
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<li><a href="/adding-pre-existing-material/searching-for-files-using-tags/">tags</a> (attached metadata to help categorize files in a library).</li>
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</ul>
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<p>
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If the sample rate differs from the current session rate, it is displayed
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in red, which indicates that the file must be resampled before
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importing.
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</p>
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<p>
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Resampling is controlled by the <kbd class="menu">Conversion quality</kbd>
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option described below.
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</p>
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<p>
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</p>
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<h2>Auditioner</h2>
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<p>
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Files can be auditioned before importing. The slider under the play and
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stop buttons allows you to scrub around, a fader on the right side allows
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to control the playback volume.
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</p>
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<p>
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Auditionning MIDI files requires a MIDI instrument to be chosen in the <kbd class="menu">
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Instrument</kbd> dropdown list.
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</p>
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<h2>Importing options</h2>
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<p>
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Through the <kbd class="menu">Add files...</kbd> option, imported files can be inserted in the session:
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</p>
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<dl>
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<dt>as new tracks</dt><dd>automatically creates new tracks and import the files in it</dd>
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<dt>to region list</dt><dd>adds the files to the <a href="/ardours-interface/editor-lists/region-list/">region list</a>, from where then can be manually dragged into a track</dd>
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<dt>as new tape tracks</dt><dd>adds the files as <a href="/working-with-tracks/track-types/">Tape tracks.</a></dd>
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</dl>
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<p>
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The <kbd class="menu">Insert at</kbd> option chooses where in time the file will be imported, amongst:
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</p>
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</ul>
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<li>the <dfn>file timestamp</dfn> (if available, zero by default)</li>
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<li>at the <a href="/ardours-interface/the-edit-point-control/"><dfn>edit point</dfn></a></li>
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<li>at the <dfn>playhead</dfn></li>
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<li>at the <dfn>session start</dfn>.</li>
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</ul>
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<p>
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The Channel <kbd class="menu">Mapping</kbd> option is only available for
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multi-channel files (i.e. all but mono ones). It is either
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</p>
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<dl>
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<dt>one track/region per file</dt><dd>Creates a multi channel track for each imported file</dd>
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<dt>one track/region per channel</dt><dd>Creates only mono channels, as many as there are channels in the imported files</dd>
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<dt>sequence files</dt><dd>If multiple files are imported, they can be sequenced into a single track in the order of selection</dd>
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</dl>
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<p>
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The <kbd class="menu">Conversion quality</kbd> drop-down controls the
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quality of the resampling process, if the sampling rate of the source file
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differs from the session rate.
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</p>
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<p>
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Finally, and most importantly, the the files can be linked or copied to the session
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with the <kbd class="option">Copy files to session</kbd> checkbox. Please read
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<a href="/adding-pre-existing-material/copying-versus-linking/">Copying
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versus Linking</a> for details.
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</p>
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