Audio tracks in Ardour have a mode which affects how they behave when recording:
| Layered | Tracks in layered mode will record non-destructively — new data is written to new files, and when overdubbing, new regions will be layered on top of existing ones. This is the recommended mode for most workflows. |
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| Non-Layered | Tracks using non-layered mode will record non-destructively—new data is written to new files, but when overdubbing, the existing regions are trimmed so that there are no overlaps. This does not affect the previously recorded audio data, and trimmed regions can be expanded again at will. Non-layered mode can be very useful for spoken word material, especially in combination with push/pull trimming. |
| Sound on Sound | Tracks using sound-on-sound mode will record non-destructively — new data is written to new files, but when overdubbing, new regions will be layered on top of existing ones in non-opaque mode which means both existing and new material will be played back after the recording is over. This is convenient for a variety of use cases, such as adding MIDI Control Change events on top of recorded live performance. |
Results of recording in layered and non-layered modes are visually the same. However, with the sound-on-sound mode lower layers are visible under upper layers, because in that case new regions with overdubs are created with disabled Opaque setting.
To illustrate the difference, here is the screenshot of the same tracks, but this time — in Stacked track mode (rather than Overlaid as on the screenshot above).
The overdub is an opaque region on top of the original content for the Layered mode. For the Non-Layered mode, it completely replaces the matching part of the original content. And for the Sound on Sound mode, it's a transparent region on top of the original content.
The switch between layered, non-layered, and sound-on-sound modes is a global setting available in the main toolbar right below the buttons enabling Punch In and Punch Out.
