More rephrasing, adding a screencap, removing a useless 1 liner page

include/controlling-playback.html

@@ -1,56 +1,60 @@
 
-<h2>Positioning the Playhead</h2>
+<figure class="right">
+  <img src="/images/the-playhead.png" alt="The playhead">
+  <figcaption>
+    The playhead
+  </figcaption>
+</figure>
 
 <p>
-  The <dfn>playhead</dfn> is a vertical line with two arrows at each end
-  that indicates the current position of playback.
+  The <dfn>playhead</dfn> is a red vertical line that indicates the current
+  position of playback.
 </p>
 
+<h2>Positioning the Playhead</h2>
+
 <h3>Positioning the playhead at the current pointer position</h3>
 <p>
   Pressing <kbd>P</kbd> will set the playhead to the current position of
-  the pointer, if it is within the editor track area.
+  the mouse pointer, if it is within the editor track area.
 </p>
 
 <h3>Positioning the playhead on the timeline</h3>
 <p>
-  A <kbd class="mouse">Left</kbd> click anywhere on the timeline (rulers)
+  A <kbd class="mouse">Left</kbd> click anywhere on the <a href="@@ruler">Ruler</a>
   will move the playhead to that position.
 </p>
 
 <h3>Positioning the playhead with the transport clocks</h3>
 <p>
-  Click on either the primary or secondary transport clock and
-  <a href="@@editing-clocks">edit their value</a>
-  to move the playhead to a specific position.
+  Clicking on either the primary or secondary transport clock and
+  <a href="@@editing-clocks">editing their value</a> moves the playhead to a
+  specific position.
 </p>
 
 <h3>Positioning the playhead at a marker</h3>
 <p>
-  Click <kbd class="mouse">Right</kbd> on the marker and select either
-  <kbd class="menu">Locate to here</kbd> or <kbd class="menu">Play from
-  here</kbd>.
+  <kbd class="mouse">Right</kbd> clicking on the marker and selecting either
+  <kbd class="menu">Locate to Here</kbd> or <kbd class="menu">Play from
+  Here</kbd> will place the playhead at the marker's position.
 </p>
 <p>
-  Alternatively, place the pointer on the marker and press
-  <kbd>P</kbd> to set the playhead.
+  Alternatively, placing the mouse pointer on the marker and pressing
+  <kbd>P</kbd> sets the playhead precisely on the marker location.
 </p>
 
 
 <h2>Looping the Transport</h2>
 
 <p>
-  When the <dfn>loop transport</dfn> button is pressed, the playhead will
-  jump the start of the loop range, and continue to the end of that range
-  before returning to the start and repeating.
-  While looping, a light green area is displayed in the time ruler over
-  the tracks to show the loop range.
+  When the <a href="@@the-loop-range">loop transport</a> button is pressed, the
+  playhead will jump the start of the loop range, and continue to the end of that
+  range before returning to the start and repeating.
+</p>
+<p>
+  While looping, a light green area is displayed in the Ruler over the tracks to
+  show the loop range.
 </p>
 <p>
   By default, looping is bound to the <kbd>l</kbd> key.
 </p>
-<p>
-  For more information on defining and altering the loop range see
-  <a href="@@the-loop-range">Loop Range Markers</a>.
-</p>
-

include/latency-considerations.html

@@ -5,7 +5,7 @@
   recorders have the same feature, but may impart some
   <a
   href="@@latency-and-latency-compensation"><dfn>latency</dfn></a>
-  (delay) between the time you make a noise and the time that you hear it
+  (delay) between the time a noise is made and the time that it will
   come back from the recorder.
 </p>
 <p>
@@ -16,8 +16,8 @@
   can have approximately 3&nbsp;ms of latency, due to the time the sound
   takes to travel from the instrument to the musician's ears. Latency below
   5&nbsp;ms should be suitable for a professional recording setup. Because
-  2&nbsp;ms are already used in the A/D/A process, you must use extremely low
-  <dfn>buffer sizes</dfn> in your workstation <abbr title="Input/Output">I/O</abbr>
+  2&nbsp;ms are already used in the A/D/A process, extremely low
+  <dfn>buffer sizes</dfn> must be used in the workstation <abbr title="Input/Output">I/O</abbr>
   setup to keep the overall latency below 5ms. Not all
   <a href="@@the-right-computer-system-for-digital-audio">computer audio systems</a>
   are able to work reliably at such low buffer sizes.
@@ -27,8 +27,10 @@
   through an external mixing console while recording, an approach taken by
   most if not all professional recording studios. Many computer I/O devices
   have a hardware mixer built in which can route the monitor signal "around"
-  the computer, avoiding the systemlatency.<br>
-  In either case, the monitoring hardware may be digital or analog.  And in
-  the digital case you will still have the A-D-A conversion latency of
+  the computer, avoiding the system latency.
+</p>
+<p>
+  In either case, the monitoring hardware may be digital or analog. And in
+  the digital case there will still be the A-D-A conversion latency of
   1&ndash;2&nbsp;ms.
 </p>

include/monitor-setup-in-ardour.html

@@ -2,8 +2,8 @@
 <p>Ardour has three main settings which affect how
   monitoring is performed. The first is
   <kbd class="menu">Edit &gt; Preferences &gt; Audio &gt;
-  Record monitoring handled by</kbd>.  There are two or three
-  options here, depending on the capabilities of your hardware.
+  Record monitoring handled by</kbd>. There are two or three
+  options here, depending on the capabilities of the hardware.
 </p>
 <p> The other two settings are more complex.  One is
   <kbd class="menu">Tape machine mode</kbd>, found in the
@@ -13,23 +13,22 @@
 </p>
 <p>
   Monitoring also depends on the state of the track's record-enable button,
-the session record-enable button, and on whether or not the transport is
-rolling.
+  the session record-enable button, and on whether or not the transport is
+  rolling.
 </p>
 
 <h3>Software or Hardware Monitoring Modes</h3>
 <p>
-If Ardour is set to <dfn>external monitoring</dfn>, the explanation of
-Ardour's monitoring behaviour is simple: it does not do any.
+  If Ardour is set to <dfn>external monitoring</dfn>, Ardour does not do any
+  monitoring.
 </p>
 
 <h2>Monitoring in Non-Tape-Machine Mode</h2>
 <p>
-  When <dfn>Tape-Machine mode is off</dfn>, and a track is armed,
-  Ardour <em>always</em> monitors the live input, except in one case:
-  the transport is rolling, the session is not recording, and
-  <dfn>auto-input</dfn>
-  is active. In this case only, you will hear playback from an armed track.
+  When <dfn>Tape-Machine mode is off</dfn>, and a track is armed, Ardour
+  <em>always</em> monitors the live input, except in one case: if the transport is
+  rolling, the session is not recording, and <dfn>auto-input</dfn> is active,
+  the playback from an armed track will be heard.
 </p>
 <p>
   Unarmed tracks will play back their contents from disc, unless the
@@ -40,11 +39,10 @@ Ardour's monitoring behaviour is simple: it does not do any.
 <h2>Monitoring in Tape-Machine Mode</h2>
 
 <p>
-  In <dfn>Tape-Machine mode</dfn>, things are slightly simpler: when a
-  track is armed, its behaviour is the same as in non-tape-machine mode.
+  In <dfn>Tape-Machine mode</dfn>, when a track is armed, its behaviour is
+  the same as in non-tape-machine mode.
 </p>
 <p>
   Unarmed tracks however will always just play back their contents from
   disk; the live input will never be monitored.
 </p>
-

include/monitoring.html

@@ -1,9 +1,10 @@
 
 <p>
-  When recording, it is important that performers hear themselves, and to
-  hear any pre-recorded tracks they are performing with.
-  Audio recorders typically let you <dfn>monitor</dfn> (i.e. listen to)
+  When recording, it is important that performers hear themselves, and any
+  pre-recorded tracks they are performing with.
+</p>
+<p>
+  Audio recorders typically allow <dfn>monitoring</dfn> (i.e. listening to)
   the input signal of all tracks that are armed for recording, and playing
   back the unarmed tracks.
 </p>
-

include/record-setup.html

@@ -1,2 +0,0 @@
-
-

include/track-recording-modes.html

@@ -1,11 +0,0 @@
-
-<p>
-  The <dfn>Recording mode</dfn> is a per-track property (applies to audio
-  tracks only) that affects the way that recording new material on top of
-  existing material ("overdubbing") operates <em>in that track</em>.
-</p>
-<p>
-  See <a href="@@track-types#trackmodes">Track modes</a>
-  for a detailed explanation.
-</p>
-

include/transport-bar.html

@@ -38,8 +38,7 @@
 	<tr><th>Toggle Record</th><td>Global switch button to activate/deactivate recording.
     While active, the button blinks red. The button doesn't start recording by
     itself: if one or more tracks are marked as record-enabled, pressing the
-    "Play from Playhead" starts recording on those tracks. See
-    <a href="@@record-setup">Recording</a>.</td></tr>
+    "Play from Playhead" starts recording on those tracks.</td></tr>
 </table>
 
 <p class="note">

include/using-key-bindings.html

@@ -1,8 +1,13 @@
 
 <p>
   Ardour has many available commands for playback control that can be bound
-  to keys. Many of them have default bindings, some do not, so the list below
-  shows both the default bindings and internal command names.
+  to keys. Many of them have <a href="@@keyboard-and-mouse-shortcuts">default
+  bindings</a>, Some of the most used are found below.
+</p>
+
+<p>
+  Those keybindings are shown in the corresponding menus. Memorizing at least
+  the most frequently used can be a great time saver.
 </p>
 
 <table class="dl">
@@ -13,14 +18,13 @@
   <tr><th><kbd>End</kbd></th>
   <td>Move playhead to session end marker</td></tr>
   <tr><th><kbd>&rarr;</kbd></th>
-  <td></td></tr>
+  <td>Playhead to Next Grid</td></tr>
   <tr><th><kbd>&larr;</kbd></th>
-  <td></td></tr>
+  <td>Playhead to Previous Grid</td></tr>
   <tr><th><kbd>0</kbd></th>
   <td>Move playhead to start of the timeline</td></tr>
+  <tr><th><kbd class="mod3">space</kbd></th>
+  <td>Start recording</td></tr>
+  <tr><th><kbd class="mod1">space</kbd></th>
+  <td>Stop and forget capture</td></tr>
 </table>
-
-<p>Commands without default bindings include:</p>
-
-<p class="fixme">Add content</p>
-

master-doc.txt

@@ -1131,21 +1131,6 @@ link: using-key-bindings
 part: subchapter
 ---
 
----
-title: Record Setup
-include: record-setup.html
-link: record-setup
-part: chapter
----
-
----
-title: Track Recording Modes
-include: track-recording-modes.html
-link: track-recording-modes
-uri: recording/track-recording-modes
-part: subchapter
----
-
 ---
 title: Audio Recording
 include: audio-recording.html