7.2 update: monitoring in layered/non-layered/s-o-s modes
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Audio tracks in Ardour have a <dfn>mode</dfn> which affects how they behave
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when recording:
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</p>
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<table class="dl">
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<tr><th>Layered</th>
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<td>Tracks in <dfn>layered mode</dfn> will record non-destructively —
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new data is written to new files, and when overdubbing, new regions will be
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layered on top of existing ones. This is the recommended mode for most
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workflows.
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</td></tr>
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<tr><th>Non-Layered</th>
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<td>Tracks using <dfn>non-layered mode</dfn> will record
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<tr>
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<th>Layered</th>
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<td>
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Tracks in <dfn>layered mode</dfn> will record
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non-destructively — new data is written to new files, and when
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overdubbing, new regions will be layered on top of existing ones. This is
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the recommended mode for most workflows. When recording with the
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<dfn>layered mode</dfn>, Ardour only does input monitoring.
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</td>
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</tr>
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<tr>
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<th>Non-Layered</th>
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<td>
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Tracks using <dfn>non-layered mode</dfn> will record
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non-destructively—new data is written to new files, but when
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overdubbing, the existing regions are trimmed so that there are no overlaps.
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This does not affect the previously recorded audio data, and trimmed regions
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can be expanded again at will. Non-layered mode can be very useful for spoken
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word material, especially in combination with
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<a href="@@pushpull-trimming">push/pull trimming</a>.
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</td></tr>
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<tr><th>Sound on Sound</th>
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<td>Tracks using <dfn>sound-on-sound mode</dfn> will record
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overdubbing, the existing regions are trimmed so that there are no
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overlaps. This does not affect the previously recorded audio data, and
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trimmed regions can be expanded again at will. Non-layered mode can be
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very useful for spoken word material, especially in combination with
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<a href="@@pushpull-trimming">push/pull trimming</a>. When recording with
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the <dfn>non-layered mode</dfn>, Ardour only does input monitoring.
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</td>
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</tr>
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<tr>
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<th>Sound on Sound</th>
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<td>
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Tracks using <dfn>Sound on Sound mode</dfn> will record
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non-destructively — new data is written to new files, but when
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overdubbing, new regions will be layered on top of existing ones in non-opaque
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mode which means both existing and new material will be played back after
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the recording is over. This is convenient for a variety of use cases, such as
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adding MIDI Control Change events on top of recorded live performance.
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</td></tr>
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overdubbing, new regions will be layered on top of existing ones in
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non-opaque mode which means both existing and new material will be played
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back after the recording is over. This is convenient for a variety of use
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cases, such as adding MIDI Control Change events on top of recorded live
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performance. When recording in the <dfn>sound-on-sound mode</dfn>, Ardour
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does cue monitoring.
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</td>
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</tr>
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</table>
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<p>
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