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7.2 update: monitoring in layered/non-layered/s-o-s modes

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Alexandre Prokoudine 2022-12-15 02:22:56 +03:00
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include/track-modes.html
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@ -2,30 +2,44 @@
Audio tracks in Ardour have a <dfn>mode</dfn> which affects how they behave Audio tracks in Ardour have a <dfn>mode</dfn> which affects how they behave
when recording: when recording:
</p> </p>
<table class="dl"> <table class="dl">
<tr><th>Layered</th> <tr>
<td>Tracks in <dfn>layered mode</dfn> will record non-destructively&nbsp;&mdash; <th>Layered</th>
new data is written to new files, and when overdubbing, new regions will be <td>
layered on top of existing ones. This is the recommended mode for most Tracks in <dfn>layered mode</dfn> will record
workflows. non-destructively&nbsp;&mdash; new data is written to new files, and when
</td></tr> overdubbing, new regions will be layered on top of existing ones. This is
<tr><th>Non-Layered</th> the recommended mode for most workflows. When recording with the
<td>Tracks using <dfn>non-layered mode</dfn> will record <dfn>layered mode</dfn>, Ardour only does input monitoring.
</td>
</tr>
<tr>
<th>Non-Layered</th>
<td>
Tracks using <dfn>non-layered mode</dfn> will record
non-destructively&mdash;new data is written to new files, but when non-destructively&mdash;new data is written to new files, but when
overdubbing, the existing regions are trimmed so that there are no overlaps. overdubbing, the existing regions are trimmed so that there are no
This does not affect the previously recorded audio data, and trimmed regions overlaps. This does not affect the previously recorded audio data, and
can be expanded again at will. Non-layered mode can be very useful for spoken trimmed regions can be expanded again at will. Non-layered mode can be
word material, especially in combination with very useful for spoken word material, especially in combination with
<a href="@@pushpull-trimming">push/pull trimming</a>. <a href="@@pushpull-trimming">push/pull trimming</a>. When recording with
</td></tr> the <dfn>non-layered mode</dfn>, Ardour only does input monitoring.
<tr><th>Sound on Sound</th> </td>
<td>Tracks using <dfn>sound-on-sound mode</dfn> will record </tr>
<tr>
<th>Sound on Sound</th>
<td>
Tracks using <dfn>Sound on Sound mode</dfn> will record
non-destructively&nbsp;&mdash; new data is written to new files, but when non-destructively&nbsp;&mdash; new data is written to new files, but when
overdubbing, new regions will be layered on top of existing ones in non-opaque overdubbing, new regions will be layered on top of existing ones in
mode which means both existing and new material will be played back after non-opaque mode which means both existing and new material will be played
the recording is over. This is convenient for a variety of use cases, such as back after the recording is over. This is convenient for a variety of use
adding MIDI Control Change events on top of recorded live performance. cases, such as adding MIDI Control Change events on top of recorded live
</td></tr> performance. When recording in the <dfn>sound-on-sound mode</dfn>, Ardour
does cue monitoring.
</td>
</tr>
</table> </table>
<p> <p>