Links converted to unbreakable ones. Last round I hope ?
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@ -11,7 +11,7 @@
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</ul>
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<p>
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These methods are all equivalent: they open the <a
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href="/adding-pre-existing-material/import-dialog/">Add Existing Media</a>
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href="@@import-dialog">Add Existing Media</a>
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dialog.
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</p>
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<p>
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@ -23,4 +23,3 @@
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The file will be imported and copied
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into your session, and placed at the position where the drag ended.
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</p>
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@ -1,7 +1,7 @@
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<p>
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<dfn>Auxilliary sends</dfn> are simple <a
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href="/working-with-plugins/processor-box/">processors</a> in a bus or
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href="@@processor-box">processors</a> in a bus or
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track channel strip. They tap the signal at a specific point in the signal
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flow (pre-fader, post-fader, before or after EQs and other plugins, etc.)
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and send a copy of that signal to a bus, without affecting the
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@ -108,4 +108,3 @@
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panner, or to follow it. The latter could be useful for Reverb effects, or
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for in-ear monitor mixes delivered in stereo.
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</p>
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@ -2,7 +2,7 @@
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<p>
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Almost every available function in Ardour can be bound to a keyboard
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shortcut (and those few that cannot will usually respond to an <a
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href="/using-control-surfaces/controlling-ardour-with-osc/"><abbr
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href="@@controlling-ardour-with-osc"><abbr
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title="Open Sound Control">OSC</abbr> command</a>). Ardour comes with a
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rich set of default <dfn>key bindings</dfn> for the most commonly used
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functions.
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@ -49,4 +49,3 @@
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class="mod2n"></kbd>, <kbd class="mod3n"></kbd>, etc.) differ among
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platforms, so different default bindings for each are provided.
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</p>
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@ -302,7 +302,7 @@ bindings">
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<p>
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You can also bind a sysex or arbitrary message to any of the items
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that occur in Ardour's main menu (and its submenus). The <a
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href="/appendix/menu-actions-list/">
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href="@@list-of-menu-actions">
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list of actions</a> shows all available values of <em>action-name</em>.
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<p>
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To create a binding between an arbitrary MIDI message (we'll use a
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@ -4,7 +4,7 @@
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performed with relays and other analog audio switching devices. Digital
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recorders have the same feature, but may impart some
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<a
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href="/synchronization/latency-and-latency-compensation/"><dfn>latency</dfn></a>
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href="@@latency-and-latency-compensation"><dfn>latency</dfn></a>
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(delay) between the time you make a noise and the time that you hear it
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come back from the recorder.
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</p>
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@ -32,4 +32,3 @@
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the digital case you will still have the A-D-A conversion latency of
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1–2 ms.
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</p>
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@ -16,7 +16,7 @@
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<tr><th>Hide</th>
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<td>Hide this marker from the view. It can be made visible again from the
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<kbd class="menu">Window > Locations</kbd> window or the <a
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href="/ardours-interface/editor-lists/ranges-and-marks-list/">Ranges & Marks
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href="@@the-ranges-and-marks-lists">Ranges & Marks
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list</a>.</td></tr>
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<tr><th>Rename</th>
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<td>Change the name of the marker.</td></tr>
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@ -35,4 +35,3 @@
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and move it to a nearby region boundary, region sync point, or to the
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playhead or mouse.
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</p>
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@ -13,7 +13,7 @@
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work with (including bank size) and two new math styles have been added
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to gain controls. If you are using an Ardour version of 4.7 or less,
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please read <a
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href="/using-control-surfaces/controlling-ardour-with-osc/osc-control-in-ardour-4.7-and-prior/">
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href="@@osc-control-for-ardour-4.7-and-prior">
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Osc control in ardour 4.7 and prior.</a>
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</p>
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@ -46,7 +46,7 @@ here</em>"/></kbd>
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used to allow talent to adjust their own monitor mix using a tablet
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or phone that can run an OSC controller. For a full explanation of
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how Ardour's feedback works please read <a
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href="/using-control-surfaces/controlling-ardour-with-osc/feedback-in-osc/">
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href="@@osc58-feedback">
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OSC feedback In Ardour.</a>
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</p>
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@ -74,7 +74,7 @@ here</em>"/></kbd>
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able to set a port for Ardour to send to. It can also change the
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default setting for set_surface. For more information about Ardour's
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OSC configuration GUI please read <a
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href="/using-control-surfaces/controlling-ardour-with-osc/osc-setup-dialog/">
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href="@@osc58-using-the-setup-dialog">
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Ardour's Setup Dialog.</a>
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</p>
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<p>If /set_surface is not sent, the default values are used:
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@ -128,7 +128,7 @@ here</em>"/></kbd>
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strips.
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</p>
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<p>Please see: <a
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href="/using-control-surfaces/controlling-ardour-with-osc/calculating-feedback-and-strip-types-values/">
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href="@@osc58-feedback-and-strip-types-values">
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Calculating Feedback and Strip-types Values.</a>
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</p>
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<p class="note">
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@ -140,7 +140,7 @@ here</em>"/></kbd>
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then adding all those numbers together for a value to send.
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</p>
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<p>Please see: <a
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href="/using-control-surfaces/controlling-ardour-with-osc/calculating-feedback-and-strip-types-values/">
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href="@@osc58-feedback-and-strip-types-values">
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Calculating Feedback and Strip-types Values.</a></p>
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<p class="note">
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Feedback can also be set with <em>/set_surface/feedback feedback.</em>
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@ -173,7 +173,7 @@ here</em>"/></kbd>
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<p>
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The control Surface may wish to control the type a frequency of
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updates it receives. It can do this with querying commands. See: <a
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href="/using-control-surfaces/controlling-ardour-with-osc/querying-ardour-with-osc/">
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href="@@osc58-querying-ardour">
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Querying Ardour with OSC.</a>
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</p>
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@ -181,7 +181,7 @@ here</em>"/></kbd>
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<p class="note">
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Parameter types show how the value will be used. However, they may
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be sent as a different type if needed, see: <a
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href="/using-control-surfaces/controlling-ardour-with-osc/parameter-types-in-osc/">
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href="@@osc58-parameter-types">
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Parameter Types in OSC.</a>
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</p>
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<h3>Master or Global messages</h3>
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@ -386,7 +386,7 @@ here</em>"/></kbd>
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<p class="note">
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Selected strip operations are complex enough for their own page.
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Please read: <a
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href="/using-control-surfaces/controlling-ardour-with-osc/selection-considerations-in-osc/">
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href="@@osc58-selection-and-expansion-considerations">
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Selection Considerations in OSC.</a> This is most important if more
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than one OSC surface is being used with Ardour.
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</p>
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@ -488,7 +488,7 @@ here</em>"/></kbd>
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are more direct.
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</p>
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<p>
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The <a href="/appendix/menu-actions-list/"> list of actions</a>
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The <a href="@@list-of-menu-actions"> list of actions</a>
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shows all available values of <em>action-name</em> for Ardour.
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</p>
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@ -532,4 +532,3 @@ Any of these actions that can be moved to session->action calls may reapear.
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<td>Uses edit range as punch range</td></tr>
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<dt><kbd class="osc">/toggle_all_rec_enables</kbd></th>
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<td>(toggles all tracks' recording state)</dd-->
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below can also be sent as /strip/command/ssid param. Feedback can be
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set to match this with the /set_surface/feedback <em>state</em>
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command. See <a
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href="/using-control-surfaces/controlling-ardour-with-osc/calculating-feedback-and-strip-types-values/">
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href="@@osc58-feedback-and-strip-types-values">
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Calculating Feedback and Strip-types Values.</a>
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</p>
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@ -243,4 +243,3 @@
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that OSC does track will show on those OSC controls. Examples of this
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might be track record enable for tracks 1 to 32, play or stop.
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</p>
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all track and bus inputs and outputs are JACK ports, as are sends and
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inserts, which means they can be tapped into by other JACK clients.
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Only the signal flow inside a track or bus (i.e. from <a
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href="/working-with-plugins/processor-box/">processor to processor</a>) is
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href="@@processor-box">processor to processor</a>) is
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handled internally.<br>
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By default, Ardour will create the following connections for you:
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</p>
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@ -40,4 +40,3 @@
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is required. Ardour offers many possibilties for connecting things in the
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way you may need or want them.
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</p>
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</p>
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<p>
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It can be defined via the timeline or the <a
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href="/ardours-interface/editor-lists/ranges-and-marks-list/">Ranges & Marks
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href="@@the-ranges-and-marks-lists">Ranges & Marks
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list</a>.
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</p>
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<p>
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Each section has a set of <dfn>editable <a
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href="/introducing-ardour/basic-gui-operations/editing-clocks/">clock widgets</a></dfn>
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href="@@editing-clocks">clock widgets</a></dfn>
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which display the location of a marker, or the start, end, and duration times of a range,
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respectively.
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</p>
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@ -69,4 +69,3 @@
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exported TOC or CUE files. This is relevant for Disk-At-Once recordings
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that may contain audio data between tracks.</td></tr>
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</table>
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If you have configured Ardour to automatically connect new tracks and
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busses for you, the number of outputs will be determined by the number of
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inputs of the <dfn>master <a
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href="/introducing-ardour/understanding-basic-concepts-and-terminology/#busses">bus</a></dfn>,
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href="@@understanding-basic-concepts-and-terminology#busses">bus</a></dfn>,
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to which the track outputs will be connected.<br>
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For example, if you have a two-channel master bus, then a Mono track has one
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input and two outputs; a Stereo track has two inputs and two outputs.
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