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Meter > Time Signature

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Alexandre Prokoudine 2022-09-24 02:37:28 +03:00 committed by Paul Davis
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include/grid-controls.html
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The <em>Grid</em> helps visually placing items in time. It will draw The <em>Grid</em> helps visually placing items in time. It will draw
lines at selected intervals as chosen in the drop-down selector. lines at selected intervals as chosen in the drop-down selector.
Musical grid settings (<em>Bar</em> to <em>Sextuplets</em>) obviously Musical grid settings (<em>Bar</em> to <em>Sextuplets</em>) obviously
depend on the <a href="@@tempo-and-meter">tempo and meter</a>, so depend on the <a href="@@tempo-and-meter">tempo and time signature</a>, so
changing the tempo or meter will rescale the grid, while absolute grid changing the tempo or time signature will rescale the grid, while absolute
settings (<em>Timecode</em>, etc&hellip;) won't be affected. grid settings (<em>Timecode</em>, etc&hellip;) won't be affected.
</p> </p>
<p class="note"> <p class="note">

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include/ruler.html
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@ -23,23 +23,69 @@
</p> </p>
<table class="dl"> <table class="dl">
<tr><th><dfn>Mins:Secs</dfn></th><td>scaling the session with the Mins:Secs:mSec notation</td></tr> <tr>
<tr><th><dfn>Timecode</dfn></th><td>scaling the session with the Hours:Mins:Secs:Frames notation</td></tr> <th><dfn>Mins:Secs</dfn></th>
<tr><th><dfn>Samples</dfn></th><td>scaling the session with the sample number notation</td></tr> <td>scaling the session with the Mins:Secs:mSec notation</td>
<tr><th><dfn>Bars:Beats</dfn></th><td>slicing the time according to the time signature of the Meter</td></tr> </tr>
<tr><th><dfn>Meter</dfb></th><td>shows the time signature. It can be changed along the timeline, by <kbd class="mouse">Right click</kbd> &gt; <kbd class="menu">New Meter</kbd>. The Bars:Beats ruler will reflect the change.</td></tr> <tr>
<tr><th><dfn>Tempo</dfn></th><td>shows the BPM. It can be changed along the timeline, by <kbd class="mouse">Right click</kbd> &gt; <kbd class="menu">New Tempo</kbd>. The Bars:Beats ruler will reflect the change.</td></tr> <th><dfn>Timecode</dfn></th>
<tr><th><dfn>Range Markers</dfn></th><td>allow to create and modify ranges directly on the Ruler.</td></tr> <td>scaling the session with the Hours:Mins:Secs:Frames notation</td>
<tr><th><dfn>Loop/Punch Ranges</dfn></th><td>are special kind of ranges designed to be played as a loop and to do punch recording, i.e. recording on a precise section of time, respectively.</td></tr> </tr>
<tr><th><dfn>CD Markers</dfn></th><td>are markers designed to be used while creating a recording that has to be split in time, as an audio CD</td></tr> <tr>
<tr><th><dfn>Location Markers</dfn></th><td>is meant to receive any kind of marker, user generated or from Ardour itself.</td></tr> <th><dfn>Samples</dfn></th>
<tr><th><dfn>Video Timeline</dfn></th><td>shows thumbnails of the <a href="@@video-timeline-and-monitoring">video</a> in the timeline</td></tr> <td>scaling the session with the sample number notation</td>
</tr>
<tr>
<th><dfn>Bars:Beats</dfn></th>
<td>slicing the time according to the time signature</td>
</tr>
<tr>
<th><dfn>Time Signature</dfb></th>
<td>shows the time signature. It can be changed along the timeline, by
<kbd class="mouse">Right-click</kbd> &gt;
<kbd class="menu">New Time Signature</kbd>. The Bars:Beats ruler will
reflect the change.</td>
</tr>
<tr>
<th><dfn>Tempo</dfn></th>
<td>shows the BPM. It can be changed along the timeline, by
<kbd class="mouse">Right-click</kbd> &gt; <kbd class="menu">New Tempo</kbd>.
The Bars:Beats ruler will reflect the change.</td>
</tr>
<tr>
<th><dfn>Range Markers</dfn></th>
<td>allow to create and modify ranges directly on the Ruler.</td>
</tr>
<tr>
<th><dfn>Loop/Punch Ranges</dfn></th>
<td>are special kind of ranges designed to be played as a loop and to do
punch recording, i.e. recording on a precise section of time, respectively.</td>
</tr>
<tr>
<th><dfn>CD Markers</dfn></th>
<td>are markers designed to be used while creating a recording that has
to be split in time, as an audio CD</td>
</tr>
<tr>
<th><dfn>Location Markers</dfn></th>
<td>is meant to receive any kind of marker, user generated or from Ardour
itself.</td>
</tr>
<tr>
<th><dfn>Cue markers</dfn></th>
<td>allows triggering entire cues from the grid in the <em>Cue</em>window</td>
</tr>
<tr>
<th><dfn>Video Timeline</dfn></th>
<td>shows thumbnails of the <a href="@@video-timeline-and-monitoring">video</a>
in the timeline</td>
</tr>
</table> </table>
<p> <p>
Most of the operations on the markers are described in <a Most of the operations on the markers are described in <a
href="@@working-with-markers">Working with Markers</a>, while the Meter, href="@@working-with-markers">Working with Markers</a>, while the Time Signature,
Tempo, Bars:Beats and Timecode use are described in <a Tempo, Bars:Beats and Timecode use are described in <a
href="@@tempo-and-meter">Tempo and Meter</a>. href="@@tempo-and-meter">Tempo and Time Signature</a>.
</p> </p>

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include/techniques-for-working-with-tempo-and-meter.html
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@ -7,28 +7,29 @@
</figure> </figure>
<p> <p>
As a general approach, the best way to control tempo ramps is to use them in As a general approach, the best way to control tempo ramps is to use them in
pairs. pairs.
</p> </p>
<p> <p>
One typical use of tempo ramps is to match the click to a drum performance recorded in One typical use of tempo ramps is to match the click to a drum performance
'free time', like in the (admittedly bad) 4/4 example on the left. recorded in 'free time', like in the (admittedly bad) 4/4 example on the left.
</p> </p>
<h3 class="clear">Step 1 : First meter</h3> <h3 class="clear">Step 1: First time signature</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_2.png" alt="Step 1/5"> <img class="mini" src="/images/tempo-ramp_2.png" alt="Step 1/5">
<figcaption>Placing the first meter</figcaption> <figcaption>Placing the first time signature</figcaption>
</figure> </figure>
<p> <p>
The first thing needed is determining where the first beat is in the recording The first thing needed is determining where the first beat is in the recording
and <kbd class="mouse">left</kbd> dragging the first meter to that position. and <kbd class="mouse">left</kbd> dragging the first time signature to that
position.
</p> </p>
<h3 class="clear">Step 2 : Locating the <em>n</em>th bar</h3> <h3 class="clear">Step 2: Locating the <em>n</em>th bar</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_3.png" alt="Step 2/5"> <img class="mini" src="/images/tempo-ramp_3.png" alt="Step 2/5">
@ -36,12 +37,12 @@ and <kbd class="mouse">left</kbd> dragging the first meter to that position.
</figure> </figure>
<p> <p>
Now the first click will be in time with the first beat. By listening to the recorded Now the first click will be in time with the first beat. By listening to the
drums, the position of bar <em>n</em> (here, 9th beat, 3rd bar) is visually located (the recorded drums, the position of bar <em>n</em> (here, 9th beat, 3rd bar) is
playhead may be moved to this location to "pin" it). visually located (the playhead may be moved to this location to "pin" it).
</p> </p>
<h3 class="clear">Step 3 : Aligning the ruler with the tempo</h3> <h3 class="clear">Step 3: Aligning the ruler with the tempo</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_4.png" alt="Step 3/5"> <img class="mini" src="/images/tempo-ramp_4.png" alt="Step 3/5">
@ -49,20 +50,21 @@ playhead may be moved to this location to "pin" it).
</figure> </figure>
<p> <p>
Holding the constraint modifier (<kbd class="mod3n"></kbd> by default, Holding the constraint modifier (<kbd class="mod3n"></kbd> by default, may be
may be changed in Preferences->Editor->Modifiers), the third changed in <kbd class="menu">Preferences &gt; Editor &gt; Modifiers</kbd>),
bar marker in the BBT ruler is dragged at the position of the third bar in the the third bar marker in the BBT ruler is dragged at the position of the third
recording (where the playhead is located). This drag can be done either in the Meter bar in the recording (where the playhead is located). This drag can be done
or in the Tempo rulers. The tempo (on the first and only tempo marker) reflects either in the Time Signature or in the Tempo rulers. The tempo (on the first
the new value based on this change. and only tempo marker) reflects the new value based on this change.
</p> </p>
<p> <p>
The click now matches the first 8 beats, but after that it can wander off, which The click now matches the first 8 beats, but after that it can wander off,
will be reflected in the tempo lines thet won't quite match the drum hits. which will be reflected in the tempo lines thet won't quite match the drum
hits.
</p> </p>
<h3 class="clear">Step 4 : Placing a new tempo marker</h3> <h3 class="clear">Step 4: Placing a new tempo marker</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_5.png" alt="Step 4/5"> <img class="mini" src="/images/tempo-ramp_5.png" alt="Step 4/5">
@ -70,12 +72,12 @@ will be reflected in the tempo lines thet won't quite match the drum hits.
</figure> </figure>
<p> <p>
A new tempo marker is placed on the last position where the click matches the A new tempo marker is placed on the last position where the click matches the
recorded audio, by <kbd class="mod1n"></kbd>-clicking the Tempo ruler. This will recorded audio, by <kbd class="mod1n"></kbd>-clicking the Tempo ruler. This
"anchor" the value of the tempo at that position. will "anchor" the value of the tempo at that position.
</p> </p>
<h3 class="clear">Step 5 : Placing another tempo marker at the <em>n</em>th beat</h3> <h3 class="clear">Step 5: Placing another tempo marker at the <em>n</em>th beat</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_6.png" alt="Step 5/5"> <img class="mini" src="/images/tempo-ramp_6.png" alt="Step 5/5">
@ -83,12 +85,12 @@ recorded audio, by <kbd class="mod1n"></kbd>-clicking the Tempo ruler. This will
</figure> </figure>
<p> <p>
Another tempo marker is placed <em>n</em> beats after the previous marker (here, Another tempo marker is placed <em>n</em> beats after the previous marker
4 beats, 1 bar). (here, 4 beats, 1 bar).
</p> </p>
<h3 class="clear">Step 6 : Changing the tempo to a new value</h3> <h3 class="clear">Step 6: Changing the tempo to a new value</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_7.png" alt="Step 5/5"> <img class="mini" src="/images/tempo-ramp_7.png" alt="Step 5/5">
@ -96,11 +98,12 @@ Another tempo marker is placed <em>n</em> beats after the previous marker (here,
</figure> </figure>
<p> <p>
Now, <kbd class="mod3n"></kbd>-dragging any beat <strong>after</strong> the second Now, <kbd class="mod3n"></kbd>-dragging any beat <strong>after</strong> the
new tempo marker will allow to align the drum audio and tempo after the second marker. second new tempo marker will allow to align the drum audio and tempo after the
second marker.
</p> </p>
<h3 class="clear">Step 7 : Ramping the tempo change</h3> <h3 class="clear">Step 7: Ramping the tempo change</h3>
<figure class="left"> <figure class="left">
<img class="mini" src="/images/tempo-ramp_8.png" alt="Step 5/5"> <img class="mini" src="/images/tempo-ramp_8.png" alt="Step 5/5">
@ -108,41 +111,42 @@ new tempo marker will allow to align the drum audio and tempo after the second m
</figure> </figure>
<p> <p>
Although it may be unnecessary in some cases where the tempo changes abruptly, most Although it may be unnecessary in some cases where the tempo changes abruptly,
of the time, the tempo change is progressive in time, like an instrumentist drifting in tempo. most of the time, the tempo change is progressive in time, like an
In those cases, the tempo change should be progressive too, and Ardour allows that instrumentist drifting in tempo. In those cases, the tempo change should be
by ramping the tempo change. progressive too, and Ardour allows that by ramping the tempo change.
</p> </p>
<p> <p>
<kbd class="mouse">right</kbd> clicking the first tempo marker, a menu appears, <kbd class="mouse">Right</kbd>-clicking the first tempo marker, a menu appears,
allowing to <kbd class="menu">Ramp to Next</kbd>. This will make the tempo allowing to <kbd class="menu">Ramp to Next</kbd>. This will make the tempo
between the two markers linearly change from the first marker's value to the between the two markers linearly change from the first marker's value to the
second's. second's.
</p> </p>
<p> <p>
Again, some time later the click will probably drift again, so the same technique Again, some time later the click will probably drift again, so the same
has to be repeated: adding two new tempos and dragging the BBT ruler technique has to be repeated: adding two new tempos and dragging the BBT ruler
<strong>after</strong> the newest tempo so that the beats align with the audio <strong>after</strong> the newest tempo so that the beats align with the audio
again. again.
</p> </p>
<p> <p>
In a general sense, adding tempo markers in pairs allows to 'pin' the tempo at the In a general sense, adding tempo markers in pairs allows to 'pin' the tempo at
marker's location while moving further to the right. the marker's location while moving further to the right.
</p> </p>
<h2>Other use cases</h2> <h2>Other use cases</h2>
<p> <p>
Audio locked meters can be useful when composing, as they allow a continuous Audio-locked time signatures can be useful when composing, as they allow a
piece of music to be worked on in isolated segments, preventing the listening continuous piece of music to be worked on in isolated segments, preventing the
fatigue of a fixed form. Reassembly is left as an excercise for the reader. listening fatigue of a fixed form. Reassembly is left as an excercise for the
reader.
</p> </p>
<p> <p>
Tempo ramps can also be used in a video context, e.g. for an accelerando, Tempo ramps can also be used in a video context, e.g. for an accelerando, by
by snapping to TC frames and dragging the ruler so that a bar ends up on a significant snapping to TC frames and dragging the ruler so that a bar ends up on a
video frame. significant video frame.
</p> </p>

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@ -1,24 +1,24 @@
<p> <p>
Tempo and meter belong together. Without both, there is no way to know where Tempo and time signature belong together. Without both, there is no way to
a beat lies in time. know where a beat lies in time.
</p> </p>
<p> <p>
Tempo provides a musical pulse, which is divided into beats and bars by a Tempo provides a musical pulse, which is divided into beats and bars by a
meter. When tempo is changed or an audio-locked meter is moved, all objects time signature. When tempo is changed or an audio-locked time signature is
on the timeline that are glued to bars and beats (locations, regions) will moved, all objects on the timeline that are glued to bars and beats
move in sympathy. (locations, regions) will move in sympathy.
</p> </p>
<p class="note"> <p class="note">
When performing meter or tempo operations, it is advisable to use the BBT When performing time signature or tempo operations, it is advisable to use the
ruler (available by right-clicking an existing marker or ruler name), and BBT ruler (available by right-clicking an existing marker or ruler name), and
ensure that the constraint modifier is set (<kbd class="mod3n"></kbd> by default, ensure that the constraint modifier is set (<kbd class="mod3n"></kbd> by
may be changed in Preferences->Editor->Modifiers) default, may be changed in <kbd class="menu">Preferences &gt; Editor &gt;
so that no other modifiers share its key combination. The constraint modifier Modifiers</kbd>) so that no other modifiers share its key combination. The
is the "Constrain drags using: " setting under the "When Beginning a Drag" constraint modifier is the "Constrain drags using: " setting under the
heading. One viable setting is "When Beginning a Drag" heading. One viable setting is
<kbd class="mod1n"></kbd><kbd class="mod3n"></kbd>. <kbd class="mod1n"></kbd><kbd class="mod3n"></kbd>.
</p> </p>
@ -29,11 +29,11 @@
</p> </p>
<ul> <ul>
<li>by double clicking on a tempo marker. This opens the tempo dialog which <li>By double clicking on a tempo marker. This opens the tempo dialog which
allows entering the tempo directly into an entry box.</li> allows entering the tempo directly into an entry box.</li>
<li>by using the constraint modifier (<kbd class="mod3n"></kbd> by default, <li>By using the constraint modifier (<kbd class="mod3n"></kbd> by default,
may be changed in Preferences->Editor->Modifiers) may be changed in <kbd class="menu">Preferences &gt; Editor &gt; Modifiers</kbd>)
to drag the beat/bars in the BBT ruler or the tempo/meter lines. to drag the beat/bars in the BBT ruler or the tempo/time signature lines.
This is the preferred way to match the tempo to previously recorded This is the preferred way to match the tempo to previously recorded
material.</li> material.</li>
@ -42,7 +42,7 @@
that non-musical snap is in effect if enabled. Snapping to a minute while that non-musical snap is in effect if enabled. Snapping to a minute while
dragging a beat may result in some very slow tempos. Snapping a beat to a dragging a beat may result in some very slow tempos. Snapping a beat to a
video frame however is an incredibly useful way to ensure a soundtrack is video frame however is an incredibly useful way to ensure a soundtrack is
punchy and synchronised to the sample. punchy and synchronized to the sample.
</p> </p>
<li>by holding down the constraint modifier while dragging a tempo vertically. <li>by holding down the constraint modifier while dragging a tempo vertically.
@ -55,15 +55,15 @@
A tempo may be locked to audio or musical time. This can be changed by <kbd A tempo may be locked to audio or musical time. This can be changed by <kbd
class="mouse">right</kbd>-clicking on a tempo. If a tempo is locked to music, class="mouse">right</kbd>-clicking on a tempo. If a tempo is locked to music,
an entry will be available to lock it to audio. Similarly an audio-locked an entry will be available to lock it to audio. Similarly an audio-locked
tempo may be locked to music by <kdb class="mouse">right</kbd>-clicking it tempo may be locked to music by <kbd class="mouse">right</kbd>-clicking it
and selecting the "Lock to Music" entry. and selecting the "Lock to Music" entry.
</p> </p>
<p> <p>
Audio locked tempo marks stay in their frame position as their neighbour's Audio locked tempo marks stay in their frame position as their neighbor's
positions are altered. Their pulse (musical) position will change as their positions are altered. Their pulse (musical) position will change as their
neighbours move. Music locked tempo marks move their frame position as their neighbors move. Music locked tempo marks move their frame position as their
neighbours are moved, but keep their pulse position (they will move as the neighbors are moved, but keep their pulse position (they will move as the
music is moved). music is moved).
</p> </p>
@ -89,16 +89,21 @@
</ul> </ul>
<figure> <figure>
<img src="/images/constant-tempo.png" alt="A constant tempo displaying the tempo at the playhead in the audio clock"> <img src="/images/constant-tempo.png" alt="A constant tempo displaying the
tempo at the playhead in the audio clock">
<figcaption> <figcaption>
A series of constant tempo markers. The tempo at the playhead position is the same as the previous tempo. A series of constant tempo markers. The tempo at the playhead position is
the same as the previous tempo.
</figcaption> </figcaption>
</figure> </figure>
<figure> <figure>
<img src="/images/ramped-tempo.png" alt="A ramped tempo displaying the tempo at the playhead in the audio clock"> <img src="/images/ramped-tempo.png" alt="A ramped tempo displaying the tempo
at the playhead in the audio clock">
<figcaption> <figcaption>
A ramped tempo marker. The tempo at the playhead position is approaching the second tempo. Because the playhead is equidistant (in beats) between the two markers, the tempo at the playhead is the average of the two. A ramped tempo marker. The tempo at the playhead position is approaching
the second tempo. Because the playhead is equidistant (in beats) between
the two markers, the tempo at the playhead is the average of the two.
</figcaption> </figcaption>
</figure> </figure>
@ -113,40 +118,41 @@
copied. copied.
</p> </p>
<h3>Meter</h3> <h3>Time signature</h3>
<p> <p>
Meter positions beats using the musical pulse of a tempo, and groups them Time signature positions beats using the musical pulse of a tempo, and groups
into bars using its number of divisions per bar. them into bars using its number of divisions per bar.
</p> </p>
<p> <p>
The first meter in a new session may be moved freely. It has an associated The first time signature in a new session may be moved freely. It has an
tempo which cannot be dragged by itself (although all others can). It can be associated tempo which cannot be dragged by itself (although all others can).
moved freely and is locked to audio. It can be moved freely and is locked to audio.
</p> </p>
<p> <p>
New meters are locked to music. They may only occur on a bar line if music New time signatures are locked to music. They may only occur on a bar line if
locked. music locked.
</p> </p>
<p> <p>
An audio locked meter provides a way to cope with musical passages which have An audio locked time signature provides a way to cope with musical passages
no meter (rubato, pause), or to allow a film composer to insert a break in which have no time signature (rubato, pause), or to allow a film composer to
music which cannot be counted in beats. insert a break in music which cannot be counted in beats.
</p> </p>
<p> <p>
If a meter is audio-locked, its bar number is fixed from the point at which If a time signature is audio-locked, its bar number is fixed from the point at
it left the main score. That bar number cannot be changed, nor can tempo which it left the main score. That bar number cannot be changed, nor can tempo
motion allow the previous bar to overlap. If another bar is needed, lock the motion allow the previous bar to overlap. If another bar is needed, lock the
meter to music again (right click-&gt;"Lock to Music"), drag the meter to the time signature to music again (<kbd class="mouse">right</kbd> &gt;
desired bar and re-lock to audio. The new bar can be freely dragged again. <kbd class="menu">Lock to Music</kbd>), drag the time signature to the desired
bar and re-lock to audio. The new bar can be freely dragged again.
</p> </p>
<ul> <ul>
<li>To change a meter, double click it. A dialog will appear.</li> <li>To change a time signature, double-click it. A dialog will appear.</li>
<li>To copy a meter, hold down <kbd class="mod1n"></kbd> and drag it.</li> <li>To copy a time signature, hold down <kbd class="mod1n"></kbd> and drag it.</li>
</ul> </ul>

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@ -29,12 +29,13 @@
<tr><th class="sub1">&square; Timecode</th><td>Same as above, with the time formatted as Hours:Minutes:Seconds:Frames</td></tr> <tr><th class="sub1">&square; Timecode</th><td>Same as above, with the time formatted as Hours:Minutes:Seconds:Frames</td></tr>
<tr><th class="sub1">&square; Samples</th><td>Same as the above, with the time displayed in samples from the absolute start</td></tr> <tr><th class="sub1">&square; Samples</th><td>Same as the above, with the time displayed in samples from the absolute start</td></tr>
<tr><th class="sub1">&square; Bars &amp; Beats</th><td>Same as the above, with the time formatted as Bars:Beats:Ticks</td></tr> <tr><th class="sub1">&square; Bars &amp; Beats</th><td>Same as the above, with the time formatted as Bars:Beats:Ticks</td></tr>
<tr><th class="sub1">&square; Meter</th><td>Shows / hides the Meter line in the ruler, where the signature can be adjusted along the playline</td></tr> <tr><th class="sub1">&square; Time Signature</th><td>Shows / hides the time signature line in the ruler, where the signature can be adjusted along the playline</td></tr>
<tr><th class="sub1">&square; Tempo</th><td>Shows / hides the Tempo line, where the BPM can be changed with markers</td></tr> <tr><th class="sub1">&square; Tempo</th><td>Shows / hides the Tempo line, where the BPM can be changed with markers</td></tr>
<tr><th class="sub1">&square; Ranges</th><td>Shows / hides the Range line, where ranges can be defined</td></tr> <tr><th class="sub1">&square; Ranges</th><td>Shows / hides the Range line, where ranges can be defined</td></tr>
<tr><th class="sub1">&square; Loop/Punch</th><td>Shows / hides the Loop/Punch line, where loops and Punches can be defined</td></tr> <tr><th class="sub1">&square; Loop/Punch</th><td>Shows / hides the Loop/Punch line, where loops and Punches can be defined</td></tr>
<tr><th class="sub1">&square; CD Markers</th><td>Shows / hides the Range line, where CD Markers can be defined</td></tr> <tr><th class="sub1">&square; CD Markers</th><td>Shows / hides the Range line, where CD Markers can be defined</td></tr>
<tr><th class="sub1">&square; Markers</th><td>Shows / hides the Markers line, where custom markers can be defined</td></tr> <tr><th class="sub1">&square; Markers</th><td>Shows / hides the Markers line, where custom markers can be defined</td></tr>
<tr><th class="sub1">&square; Cue markers</th><td>Shows / hides the Cue line, where Cue markers can be set to trigger entire cues</td></tr>
<tr><th class="sub1">&square; Video</th><td>Shows / hides the Video timeline, where frames of the video are shown for syncing purposes</td></tr> <tr><th class="sub1">&square; Video</th><td>Shows / hides the Video timeline, where frames of the video are shown for syncing purposes</td></tr>
<tr><th colspan="2">Zoom</th></tr> <tr><th colspan="2">Zoom</th></tr>
<tr><th class="sub1">Zoom In</th><td>Zooms in, focusing the <em>Zoom Focus</em> (see below)</td></tr> <tr><th class="sub1">Zoom In</th><td>Zooms in, focusing the <em>Zoom Focus</em> (see below)</td></tr>

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@ -1632,13 +1632,13 @@ part: part
--- ---
--- ---
title: Time, Tempo and Meter title: Time, Tempo and Time Signature
link: time-tempo-and-meter link: time-tempo-and-meter
part: chapter part: chapter
--- ---
--- ---
title: Tempo and Meter title: Tempo and Time Signature
include: tempo-and-meter.html include: tempo-and-meter.html
link: tempo-and-meter link: tempo-and-meter
uri: working-with-tempo-and-meter uri: working-with-tempo-and-meter
@ -1646,7 +1646,7 @@ part: subchapter
--- ---
--- ---
title: Techniques for Working with Tempo and Meter title: Techniques for Working with Tempo and Time Signature
include: techniques-for-working-with-tempo-and-meter.html include: techniques-for-working-with-tempo-and-meter.html
link: techniques-for-working-with-tempo-and-meter link: techniques-for-working-with-tempo-and-meter
part: subchapter part: subchapter