typos and rephrasing
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@ -30,7 +30,7 @@
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<tr><th>Insert</th>
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<td>Defines where in the track list is the track created. The default is <em>Last</em>, i.e. after all the tracks and busses, and can also be <em>First</em>, <em>Before Selection</em> (to place it just above the selected track) or <em>After selection</em>.</td></tr>
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<tr><th>Output Ports</th>
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<td>Defines how the number of output responds to adding a plugin with a different number of outputs than the track itself. in <em>Strict I/O</em> mode, the track will only use a few of the plugins I/O and will keep its own number of output fixed, while in <em>lexible I/O</em> mode, it will automatically adapt to the I/O of its plugins. See <a href="@@trackbus-signal-flow">Signal flow</a> to learn more about those options.</td></tr>
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<td>Defines how the number of output responds to adding a plugin with a different number of outputs than the track itself. in <em>Strict I/O</em> mode, the track will only use a few of the plugins I/O and will keep its own number of output fixed, while in <em>Flexible I/O</em> mode, it will automatically adapt to the I/O of its plugins. See <a href="@@trackbus-signal-flow">Signal flow</a> to learn more about those options.</td></tr>
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</table>
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<p>
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@ -47,4 +47,3 @@
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from the menu. A warning dialog will pop up, as track removal cannot be undone;
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use this option with care!
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</p>
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@ -1,14 +1,18 @@
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<p>
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To create a new <dfn>MIDI track</dfn>, choose <kbd class="menu">Session >
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Add Track/Bus</kbd>. In the Add Track/Bus dialog, pick <kbd class="menu">MIDI
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Track</kbd> from the combo selector at the upper right.
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</p>
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<p>
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You may decide to use a track template if you have one.
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You may also know the instrument (a plugin that will generate audio in response
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to receiving MIDI) that you want to use in the track. The Instrument selector
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will show you a list of all plugins that you have which accept MIDI input and
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generate audio output.
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Creating new <dfn>MIDI track(s)</dfn> can be done using the <kbd class="menu">Session >
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Add Track/Bus</kbd> menu. In the <a href="@@adding-tracks-busses-and-vcas">Add
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Track/Bus dialog</a>, <kbd class="menu">MIDI Track</kbd> must be picked from
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the combo selector at the upper right.
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</p>
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<p>
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A track template can be used, by selecting it in the <em>Configuration</em> drop
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down menu.
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</p>
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<p>
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One singularity of the MIDI track creation in the ability to select right at
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creation time the instrument that will be used in the track. The instrument in
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this context is any plugin that will generate audio in response to receiving MIDI.
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</p>
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@ -67,7 +67,7 @@
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The <em>Contents</em> should be selected to best fit the actual content of the region, amongst:
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</p>
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<table class="dl" style="text-align:center;">
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<table style="text-align:center;">
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<tbody>
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<tr> <td>Content</td>
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<td>Disable phase resynchronisation at transients</td>
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@ -105,4 +105,3 @@
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<li>For multi-tonal material (chords,…), either one of the three first choice, or the default
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<em>Crisp</em>.</li>
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</ul>
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@ -48,19 +48,19 @@
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</p>
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<p class="note">
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If you synchronize Ardour with other devices then some or all of these control
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If Ardour is synchronized with other devices then some or all of these control
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methods may be unavailable—depending on the synchronization protocol,
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Ardour may respond only to commands sent from its master device(s).
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</p>
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<p>
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Under these buttons is the <dfn>Shuttle Speed Control</dfn> that allows to scrub
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through the audio quickly. The slider decides the playback speed : the further
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through the audio quickly. The slider decides the playback speed: the further
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from the center it is set, the faster the playback will scrub in both directions.
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</p>
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<p>
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The Shuttle Speed Control supports 2 operating modes, that can be chosen with
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right click > Mode:
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<kbd class="mouse">right</kbd> click > Mode:
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</p>
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<ul>
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<li><dfn>Sprung mode</dfn> that allows for a temporary scrub: it only scubs
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@ -90,7 +90,7 @@
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</p>
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<table class="dl">
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<tr><th><kbd>Space</kbd></th><td>switch between playback and stop.</td></tr>
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<tr><th><kbd>Space</kbd></th><td>Switch between playback and stop.</td></tr>
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<tr><th><kbd>Home</kbd></th><td>Move playhead to session start marker</td></tr>
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<tr><th><kbd>End</kbd></th><td>Move playhead to session end marker</td></tr>
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<tr><th><kbd>→</kbd></th><td>Playhead to next region boundary</td></tr>
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@ -102,4 +102,3 @@
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Go to the <kdb class="menu">Transport</kbd> and <kdb class="menu">Transport >
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Playhead</kbd> to find more.
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</p>
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@ -8,8 +8,8 @@
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which is described below, but a few clocks serve particularly important roles.
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</p>
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<p>
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In the transport bar of the editor window there are two clocks (unless you
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are on a very small screen), that display the current position of the playhead
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In the transport bar of the editor window there are two clocks (on a large enough
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screen), that display the current position of the playhead
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and additional information related to transport control and the timeline. These
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are called the <dfn>transport clocks</dfn>; the left one is the primary
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transport clock and the right one is the secondary transport clock.
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@ -35,8 +35,8 @@
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<h2>Why are there two transport clocks?</h2>
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<p>
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Having two transport clocks lets you see the playhead position in two different
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time units without having to change any settings. For example, you can see the
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Having two transport clocks allows seeing the playhead position in two different
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time units without having to change any settings. For example, one can see the
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playhead position in both timecode units and BBT time.
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</p>
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@ -44,7 +44,7 @@
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<p>
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In addition to the time-unit modes, each of the two transport
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clocks (if you work on a small screen, you may only have one) can be
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clocks (again, on a sufficiently large screen) can be
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independently set to display <dfn>Delta to Edit Point</dfn> in whatever time
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units its current mode indicates. This setting means that the clock shows the
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distance between the playhead and the current edit point, and it may show a
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@ -69,7 +69,7 @@
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<p>
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To show the current playhead position in a big, resizable window, activate
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<kbd class="menu">Window > Big Clock</kbd>. The big clock is very useful
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when you need to work away from the screen but still want to see the playhead
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when working away from the screen but still wanting to see the playhead
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position clearly (such as when working with a remote control device across
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a room). The big clock will change its visual appearance to indicate when active
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recording is taking place. Below on the left is a screenshot showing a fairly
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@ -79,4 +79,3 @@
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<a href="/images/bigclock.png"><img src="/images/bigclock.png" height="100" alt="an image of the big clock filling a screen"></a>
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<a href="/images/bigclock-recording.png"><img src="/images/bigclock-recording.png" height="100" alt="an image of the big clock while recording"></a>
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@ -1,7 +1,20 @@
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<img src="/images/transpose_midi.png" alt="transpose dialog" />
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<figure>
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<img src="/images/transpose_midi.png" alt="The Transpose dialog">
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<figcaption>
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The Transpose dialog
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</figcaption>
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</figure>
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<p>To transpose a whole region at once, you can access the "transpose" dialog, by right clicking a region > <em>name_of_the_midi_region</em> > MIDI > Transpose…</p>
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<p>This very simple dialog allows to choose either a number of semitones to add or substract to all the notes inside the region, and/or for more significant changes, octaves (12 semitones).</p>
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<p>
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A whole region, or multiple regions, can be transposed at once, with the help
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of the Transpose MIDI dialog, accessed by <kbd class="mouse">right</kbd> clicking a region
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<kbd class="menu">> <em>name_of_the_midi_region</em> > MIDI > Transpose…
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</kbd>.
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</p>
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<p>
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This very simple dialog allows to choose either a number of semitones to add
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or substract to all the notes inside the region(s), and/or for more significant
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changes, octaves (12 semitones).
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</p>
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