+
Dragging and dropping tracks inside the Strips List allows to reorganise the tracks in the session, - both in the Mixer and the Editor. + both in the Mixer and the Editor. Clicking a track scrolls the Mixer to show this track.
diff --git a/_manual/05_ardours-interface/05_the-mixer/05_busses-mixer-strips.html b/_manual/05_ardours-interface/05_the-mixer/05_busses-mixer-strips.html
index a749945..848a46d 100644
--- a/_manual/05_ardours-interface/05_the-mixer/05_busses-mixer-strips.html
+++ b/_manual/05_ardours-interface/05_the-mixer/05_busses-mixer-strips.html
@@ -2,7 +2,7 @@
title: Audio/MIDI Busses Mixer Strips
---
-
+
An Ardour bus can be considered a virtual track, as in a track that doesn't have a playlist (so, no regions). @@ -15,16 +15,20 @@ title: Audio/MIDI Busses Mixer Strips
- Ardour supports 2 types of busses : Audio and MIDI. A MIDI bus differs from an audio bus just by + Ardour supports 2 types of busses : Audio and MIDI. A MIDI bus differs from an audio bus just by:
MIDI busses provide a particularly efficient workflow for virtual drumkits where the arrangement uses different MIDI tracks. Moreover, busses with both Audio and MIDI inputs are well suited for vocoders and similar plugins, - where a MIDI signal and an audio one are required. + where a MIDI signal controls an audio one. +
++ Adding any audio input to a MIDI bus transforms it into an audio bus.
+
++ Although track/bus groups offer a certain + kind of grouped-control over gain, solo, mute and more, traditional mixing consoles have long had + group master channels ("VCAs") which allows to combine + both a single fader to control the group level while also allowing you to easily adjust the relative + levels inside the group. For large projects, this can make mixing much easier to control. +
++ Ardour implements those VCAs as Control Masters, in a way that allows to use either or both + of the conventions used on different traditionnal consoles for combining multiple masters: +
++A Control Master strip is made of (from top to bottom in the screenshot) : +
+ +Right-clicking the name button shows a context menus comprised of :
+
+
++ Connecting a track/bus/VCA to a VCA is as simple as clicking the VCA button that appears on any mixer strip + under the main fader and choosing the VCA to connect to. +
+ +The VCA button only shows up in mixer strips when at least one Control Master exists, i.e., a + Control Master must be created before connecting tracks to it.
+ ++ Clicking the VCA button shows all the Control Masters in the session, and any or all of this vca can be checked + to link them to the track, making this track controlled by multiple Control Masters. The track will then show + multiple VCA buttons. Disconnecting a Control MAste from a track is done by unchecking this Control Master in + the list that pops up, or clicking Unassign All to disconnect from all Control Masters at once. +
diff --git a/_manual/05_ardours-interface/05_the-mixer/07_the-master-bus-strip.html b/_manual/05_ardours-interface/05_the-mixer/07_the-master-bus-strip.html index e24f26c..d00e9ba 100644 --- a/_manual/05_ardours-interface/05_the-mixer/07_the-master-bus-strip.html +++ b/_manual/05_ardours-interface/05_the-mixer/07_the-master-bus-strip.html @@ -15,3 +15,7 @@ title: The Master Bus Strip+ The Master bus strip is allways fixed, at the right end of the mixer, regardless of the scrolling position. +
diff --git a/_manual/11_working-with-tracks/03_adding-tracks-and-busses.html b/_manual/11_working-with-tracks/02_adding-tracks-and-busses.html similarity index 100% rename from _manual/11_working-with-tracks/03_adding-tracks-and-busses.html rename to _manual/11_working-with-tracks/02_adding-tracks-and-busses.html diff --git a/_manual/11_working-with-tracks/02_busses-and-vcas.html b/_manual/11_working-with-tracks/02_busses-and-vcas.html deleted file mode 100644 index b293353..0000000 --- a/_manual/11_working-with-tracks/02_busses-and-vcas.html +++ /dev/null @@ -1,121 +0,0 @@ ---- -layout: default -title: Busses and VCAs ---- - -- In order to ease the process of mixing, Ardour offers two tools traditionally found on hardware mixing consoles : Busses and VCAs. -
- -- An Ardour bus can be considered a virtual track, as in a track that doesn't have a playlist (so, no regions). -
- -- Its use is to "group" some audio signals to be treated the same way. One simple use case is to group all the audio tracks containing the different drums of a drumkit. Routing all the drums tracks outputs to a bus allows, once the different levels amongst the drums have been set, to adjust the global level of the drumkit in the mix. -
- -- Bus usage goes way beyond this simple example though : busses, as tracks, can receive plugins for common audio treatment, and be routed themselves as needed. This makes for a very useful tool that is very commonly used both for musical purposes and computing ones : instead of using e.g. 10 discrete delay plugins on 10 different tracks, busses are often used as receivers of sends, and only 1 delay plugin is used on this bus, reducing the processing power needed. -
- -Note that the Master strip, which by default receives the output from all tracks, is a bus itself.
- -- Ardour supports 2 types of busses : Audio and MIDI. A MIDI bus differs from an audio bus just by its input (which is 1 midi input instead of n audio), the fact that you can put an instrument on it at creation time, whereas you can't easily add an instrument to an audio bus. -
- -- MIDI busses provide a particularly efficient workflow for virtual drumkits where the arrangement uses different MIDI tracks. Moreover, busses with both Audio and MIDI inputs are well suited for vocoders and similar plugins. -
- -- Depending on the user's workflow and the way busses are used, 2 possibilities exists : -
- -
-
-- Connecting the output(s) of a track to the input(s) of the bus sends all the audio/MIDI to the bus. In the mixer strip, select (at the bottom) the OUTPUT button (often, by default, "Master"), and in the list, choose the input of a bus. Note that only the bus able to receive this output will show up, e.g. a mono bus wont be able to be connected to the output of a stereo track). -
- -- Obviously, doing so will (by default) disconnect the output from the Master's input, which means all the audio/MIDI will be routed to the bus. For more complex routing, the OUTPUT button allows to show the Routing Grid that allows to plug the output of the track to multiple outputs at once, be it busses, tracks, Master... The button will then reflect these multiple connections by showing a *number*, number being the number of connections made in the routing grid. -
- -
-
-
- This allows not to interrupt the natural flow of the signal, i.e. the track will still output to what its connected to (e.g. Master). The signal is "tapped" at the point of insertion of the send, to be sent to the bus. Right click where in the signal flow you want the send to happen, and select
By left-clicking the send meter, it is possible to adjust the amount of signal sent to the bus. This is often the way tracks are connected to an effect bus, like a Delay bus. -
- -Busses can be plugged to other busses, through outputs or sends. Both example workflows discussed previously, i.e. busses for grouping tracks and busses for effects, can both coexist, as e.g. a "grouping" drum bus can have a send to a reverb bus, and be connected to a compressor bus. -
- - -- Reword this section to Control MAster, separate from Busses, Detail the fact a track can have multiple VCA attached -
- -
-
-- Although track/bus groups offer a certain kind of grouped-control over gain, solo, mute and more, traditional mixing consoles have long had group master channels ("VCAs") which allows to combine both a single fader to control the group level while also allowing you to easily adjust the relative levels inside the group. For large projects, this can make mixing much easier to control. -
- -- It allows to use either or both of the conventions for combining multiple masters: -
- --A VCA strip is made of (from top to bottom in the screenshot) : -
- -Right-clicking the name button shows a context menus comprised of :
- -
-
-- Connecting a track/bus/VCA to a VCA is as simple as clicking the VCA button on any mixer strip and choosing the VCA to connect to. -
- -The VCA button only shows up in mixer strips when at least 1 VCA exists, i.e., you have to first create a VCA before connecting it. -
diff --git a/_manual/11_working-with-tracks/04_selecting-tracks.html b/_manual/11_working-with-tracks/03_selecting-tracks.html similarity index 100% rename from _manual/11_working-with-tracks/04_selecting-tracks.html rename to _manual/11_working-with-tracks/03_selecting-tracks.html diff --git a/_manual/11_working-with-tracks/05_controlling-track-appearance.html b/_manual/11_working-with-tracks/04_controlling-track-appearance.html similarity index 100% rename from _manual/11_working-with-tracks/05_controlling-track-appearance.html rename to _manual/11_working-with-tracks/04_controlling-track-appearance.html diff --git a/_manual/11_working-with-tracks/06_controlling-track-ordering.html b/_manual/11_working-with-tracks/05_controlling-track-ordering.html similarity index 100% rename from _manual/11_working-with-tracks/06_controlling-track-ordering.html rename to _manual/11_working-with-tracks/05_controlling-track-ordering.html diff --git a/_manual/11_working-with-tracks/07_bus-controls.html b/_manual/11_working-with-tracks/06_bus-controls.html similarity index 100% rename from _manual/11_working-with-tracks/07_bus-controls.html rename to _manual/11_working-with-tracks/06_bus-controls.html diff --git a/_manual/11_working-with-tracks/08_audio-track-controls.html b/_manual/11_working-with-tracks/07_audio-track-controls.html similarity index 100% rename from _manual/11_working-with-tracks/08_audio-track-controls.html rename to _manual/11_working-with-tracks/07_audio-track-controls.html diff --git a/_manual/11_working-with-tracks/09_midi-track-controls.html b/_manual/11_working-with-tracks/08_midi-track-controls.html similarity index 100% rename from _manual/11_working-with-tracks/09_midi-track-controls.html rename to _manual/11_working-with-tracks/08_midi-track-controls.html diff --git a/_manual/11_working-with-tracks/10_track-and-bus-groups.html b/_manual/11_working-with-tracks/09_track-and-bus-groups.html similarity index 100% rename from _manual/11_working-with-tracks/10_track-and-bus-groups.html rename to _manual/11_working-with-tracks/09_track-and-bus-groups.html diff --git a/_manual/11_working-with-tracks/11_track-context-menu.html b/_manual/11_working-with-tracks/10_track-context-menu.html similarity index 100% rename from _manual/11_working-with-tracks/11_track-context-menu.html rename to _manual/11_working-with-tracks/10_track-context-menu.html diff --git a/source/images/vca-numbered.png b/source/images/vca-numbered.png new file mode 100644 index 0000000..2ceedee Binary files /dev/null and b/source/images/vca-numbered.png differ