diff --git a/_manual/05_ardours-interface/03_transport-bar-and-times.html b/_manual/05_ardours-interface/03_transport-bar-and-times.html index c9613ff9..84c18071 100644 --- a/_manual/05_ardours-interface/03_transport-bar-and-times.html +++ b/_manual/05_ardours-interface/03_transport-bar-and-times.html @@ -23,7 +23,7 @@ title: Transport bar and times
+ The Monitoring section can be activated for the session by using the + + Session > Properties window and checking the + Use monitor section in this session in the + Monitoring tab. +
++ The Monitoring section appears on the right of the Mixer, and comprises: +
++ Different settings in Ardour will result in different monitoring results. Refer to the + Monitor Modes Appendix to learn more. +
+ ++ The Status buttons, two of which appears in the Transport Bar, blink to inform the user if something special is happening: +
++ All the following buttons are switches, that can be ON or OFF (as shown by their yellow led): +
++ Changing the solo mode (SiP, PFL or AFL) will update the labels on the mixer strips' labels accordingly. +
+ ++ The Processors button makes the processor box visible for the monitoring section. This processor box works exactly as the one + present in the tracks and + busses strips, and any effects can be added. +
++ This only affects auditionning, so it won't be present in e.g. an audio export of the session. + It is in particular very usefull to put some meters, like needle-style + ones, or any mesurement ones, like a frequency analysis. +
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++ These 3 buttons affect the volume of the monitoring. They are made of a knob, and a + dropdown menu showing some commonly used presets. +
++ For each of the channels, (e.g. L and R for stereo), 4 switches are available: +
++ Those buttons directly affect the output of the monitoring section: +
++ This knob is the gain knob for all the monitoring section. The dropdown menu below + presents the user with a choice of current presets for monitoring volumes. +
+ ++ As for all the strips in the mixer, the outputs of the monitoring, by default + connected to the system's outputs, can be plugged to any combination of tracks, + busses, or output the user wants, with the Routing Grid. + It is particularly helpfull here, because the monitoring signal is often fed to + the control room speakers without interrupting the normal flow of the mix. +
diff --git a/_manual/28_appendix/02_monitor-modes.html b/_manual/28_appendix/02_monitor-modes.html new file mode 100644 index 00000000..8ba673fb --- /dev/null +++ b/_manual/28_appendix/02_monitor-modes.html @@ -0,0 +1,77 @@ +--- +layout: default +title: Ardour Monitor Modes +--- + ++ The table bellow details what will be seen on the meter and heard on the monitor according to Ardour's settings. +
+ +Ref | Monitoring Mode (System Prefs) | Tape Machine Mode (System Prefs) | Track Rec Enable | Master Rec Enable | Transport | Auto Input (Session Props) | Meter (What you see) | Monitor (What you hear) |
1 | Ardour | Off | Off | Off | ◼ | On | Input | Input |
2 | Ardour | Off | Off | Off | ◼ | Off | Disk (Silence) | Disk (Silence) |
3 | Ardour | Off | Off | Off | ▶ | On | Disk (Audio) | Disk (Audio) |
4 | Ardour | Off | Off | Off | ▶ | Off | Disk (Audio) | Disk (Audio) |
5 | Ardour | Off | Off | On | ◼ | On | Input | Input |
6 | Ardour | Off | Off | On | ◼ | Off | Disk (Silence) | Disk (Silence) |
7 | Ardour | Off | Off | On | ▶ | On | Disk (Audio) | Disk (Audio) |
8 | Ardour | Off | Off | On | ▶ | Off | Disk (Audio) | Disk (Audio) |
9 | Ardour | Off | On | Off | ◼ | On | Input | Input |
10 | Ardour | Off | On | Off | ◼ | Off | Input | Input |
11 | Ardour | Off | On | Off | ▶ | On | Input | Disk (Audio) |
12 | Ardour | Off | On | Off | ▶ | Off | Input | Input |
13 | Ardour | Off | On | On | ◼ | On | Input | Input |
14 | Ardour | Off | On | On | ◼ | Off | Input | Input |
15 | Ardour | Off | On | On | ▶ | On | Input | Input |
16 | Ardour | Off | On | On | ▶ | Off | Input | Input |
17 | Ardour | On | Off | Off | ◼ | On | Disk (Silence) | Disk (Silence) |
18 | Ardour | On | Off | Off | ◼ | Off | Disk (Silence) | Disk (Silence) |
19 | Ardour | On | Off | Off | ▶ | On | Disk (Audio) | Disk (Audio) |
20 | Ardour | On | Off | Off | ▶ | Off | Disk (Audio) | Disk (Audio) |
21 | Ardour | On | Off | On | ◼ | On | Disk (Silence) | Disk (Silence) |
22 | Ardour | On | Off | On | ◼ | Off | Disk (Silence) | Disk (Silence) |
23 | Ardour | On | Off | On | ▶ | On | Disk (Audio) | Disk (Audio) |
24 | Ardour | On | Off | On | ▶ | Off | Disk (Audio) | Disk (Audio) |
25 | Ardour | On | On | Off | ◼ | On | Input | Input |
26 | Ardour | On | On | Off | ◼ | Off | Input | Input |
27 | Ardour | On | On | Off | ▶ | On | Input | Disk (Audio) |
28 | Ardour | On | On | Off | ▶ | Off | Input | Input |
29 | Ardour | On | On | On | ◼ | On | Input | Input |
30 | Ardour | On | On | On | ◼ | Off | Input | Input |
31 | Ardour | On | On | On | ▶ | On | Input | Input |
32 | Ardour | On | On | On | ▶ | Off | Input | Input |
33 | Audio Hardware | Off | Off | Off | ◼ | On | Input | Silence |
34 | Audio Hardware | Off | Off | Off | ◼ | Off | Disk (Silence) | Disk (Silence) |
35 | Audio Hardware | Off | Off | Off | ▶ | On | Disk (Audio) | Disk (Audio) |
36 | Audio Hardware | Off | Off | Off | ▶ | Off | Disk (Audio) | Disk (Audio) |
37 | Audio Hardware | Off | Off | On | ◼ | On | Input | Silence |
38 | Audio Hardware | Off | Off | On | ◼ | Off | Disk (Silence) | Disk (Silence) |
39 | Audio Hardware | Off | Off | On | ▶ | On | Disk (Audio) | Disk (Audio) |
40 | Audio Hardware | Off | Off | On | ▶ | Off | Disk (Audio) | Disk (Audio) |
41 | Audio Hardware | Off | On | Off | ◼ | On | Input | HW Pass Through |
42 | Audio Hardware | Off | On | Off | ◼ | Off | Input | HW Pass Through |
43 | Audio Hardware | Off | On | Off | ▶ | On | Input | Disk (Audio) |
44 | Audio Hardware | Off | On | Off | ▶ | Off | Input | HW Pass Through |
45 | Audio Hardware | Off | On | On | ◼ | On | Input | HW Pass Through |
46 | Audio Hardware | Off | On | On | ◼ | Off | Input | HW Pass Through |
47 | Audio Hardware | Off | On | On | ▶ | On | Input | HW Pass Through |
48 | Audio Hardware | Off | On | On | ▶ | Off | Input | HW Pass Through |
49 | Audio Hardware | On | Off | Off | ◼ | On | Disk (Silence) | Disk (Silence) |
50 | Audio Hardware | On | Off | Off | ◼ | Off | Disk (Silence) | Disk (Silence) |
51 | Audio Hardware | On | Off | Off | ▶ | On | Disk (Audio) | Disk (Audio) |
52 | Audio Hardware | On | Off | Off | ▶ | Off | Disk (Audio) | Disk (Audio) |
53 | Audio Hardware | On | Off | On | ◼ | On | Disk (Silence) | Disk (Silence) |
54 | Audio Hardware | On | Off | On | ◼ | Off | Disk (Silence) | Disk (Silence) |
55 | Audio Hardware | On | Off | On | ▶ | On | Disk (Audio) | Disk (Audio) |
56 | Audio Hardware | On | Off | On | ▶ | Off | Disk (Audio) | Disk (Audio) |
57 | Audio Hardware | On | On | Off | ◼ | On | Input | HW Pass Through |
58 | Audio Hardware | On | On | Off | ◼ | Off | Input | HW Pass Through |
59 | Audio Hardware | On | On | Off | ▶ | On | Input | Disk (Audio) |
60 | Audio Hardware | On | On | Off | ▶ | Off | Input | HW Pass Through |
61 | Audio Hardware | On | On | On | ◼ | On | Input | HW Pass Through |
62 | Audio Hardware | On | On | On | ◼ | Off | Input | HW Pass Through |
63 | Audio Hardware | On | On | On | ▶ | On | Input | HW Pass Through |
64 | Audio Hardware | On | On | On | ▶ | Off | Input | HW Pass Through |