s/180deg/full width. 180 makes no sense for stereo.
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@ -7,9 +7,10 @@ title: Stereo Panner
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The default stereo panner distributes 2 inputs to 2 outputs. Its
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behaviour is controlled by two parameters, width and position. The
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default settings for the stereo panner are width=100%,
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position=center (L=50%, R=50%). This panner assumes that you have
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2 uncorrelated, independent signals that you wish to distribute to
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two outputs.
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position=center (L=50%, R=50%). This panner assumes that the signals
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you wish to distribute are either uncorrelated (that means totally
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independent), or they contain a stereo image which is
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mono-compatible<sup><ahref="#caveat">*</a></sup>.
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</p>
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<div class="well">
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<p>
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@ -43,7 +44,6 @@ title: Stereo Panner
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single signal indicator marked "M" (for mono), and whose color will
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change to indicate the special state.
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</p>
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<p>
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It is possible to invert the outputs (see below) so that whatever
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would have gone to the right channel goes to the left and vice
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@ -97,19 +97,16 @@ title: Stereo Panner
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Mouse operations in the upper half of the panner adjust the position
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parameter, constrained by the current width setting.
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</p>
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<p>
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Mouse operations in the lower half of the panner adjust the width
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parameter, constrained by the current position setting.
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</p>
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<p>
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To change the position smoothly, press the right button and drag
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within the top half of the panner, then release. The position will
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be limited by the current width setting. <em>Note: you do not need
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to grab the position indicator in order to drag</em>
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</p>
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<p>
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To change the width smoothly, press the right button and drag
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within the lower half of the panner, then release. The width will be
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@ -170,7 +167,7 @@ title: Stereo Panner
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<dt><key>0</key></dt>
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<dd>reset position to center</dd>
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<dt><key class="mod2">↑</key></dt>
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<dd>reset width to 180° (100%)</dd>
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<dd>reset width to full (100%)</dd>
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</dl>
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<h4>Using the scroll wheel/touch scroll</h4>
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@ -193,3 +190,41 @@ title: Stereo Panner
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<dt>down / <key class="mod1">down</key></dt>
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<dd>move position 1° / 5°to the right</dd>
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</dl>
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<h2><a name="caveat" />Panning caveats</h2>
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<p>
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Note that the stereo panner will introduce unwanted side effects on
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material that includes a time difference between the channels, such
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as AB, ORTF or NOS microphone recordings, or delay-panned mixes.<br />
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With such signals, when you reduce the with, you are summing two signals
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with different delays, which will introduce comb filtering.
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</p>
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<p>
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Let's take a look at what happens when you record a source at 45° to the
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right side with an ORTF array (cardioids, spacing 17cm, opening angle
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110°):<br />
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The time difference is 350 usecs or approximately 15 samples at 44k1. The
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level difference due to the directivity of the microphones is about 7.5dB.
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</p>
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<img src="/images/stereo-panner-with-ORTF-fullwidth.png" />
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<p>
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For testing, we apply a pink noise signal, which displays as a straight line
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in the analyser. To simulate an ORTF, we use Robin Gareus' stereo balance
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control LV2 to set the level difference and time delay. Ignore the Trim/Gain
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- its purpose is just to align the test signal with the 0dB line of the
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analyser.
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</p>
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<p>
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Now for the interesting part: if we reduce the width of the signal to 50%,
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the time-delayed signals will be combined in the panner. Observe what
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happens to the frequency response:
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</p>
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<img src="/images/stereo-panner-with-ORTF-halfwidth.png" />
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<p>
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Depending on your material and on how much you need to manipulate the width,
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the comb filter may be acceptable. Then again, it may not be. Listen
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carefully for artefacts if you manipulate unknown stereo signals - many
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orchestra sample libraries for example do contain time-delay components.
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</p>
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