s/180deg/full width. 180 makes no sense for stereo.

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Jörn Nettingsmeier 2014-02-01 15:17:57 +01:00
parent 3ec7b17ebc
commit 25ea2abdb1

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@ -7,9 +7,10 @@ title: Stereo Panner
The default stereo panner distributes 2 inputs to 2 outputs. Its
behaviour is controlled by two parameters, width and position. The
default settings for the stereo panner are width=100%,
position=center (L=50%, R=50%). This panner assumes that you have
2 uncorrelated, independent signals that you wish to distribute to
two outputs.
position=center (L=50%, R=50%). This panner assumes that the signals
you wish to distribute are either uncorrelated (that means totally
independent), or they contain a stereo image which is
mono-compatible<sup><ahref="#caveat">*</a></sup>.
</p>
<div class="well">
<p>
@ -43,7 +44,6 @@ title: Stereo Panner
single signal indicator marked "M" (for mono), and whose color will
change to indicate the special state.
</p>
<p>
It is possible to invert the outputs (see below) so that whatever
would have gone to the right channel goes to the left and vice
@ -97,19 +97,16 @@ title: Stereo Panner
Mouse operations in the upper half of the panner adjust the position
parameter, constrained by the current width setting.
</p>
<p>
Mouse operations in the lower half of the panner adjust the width
parameter, constrained by the current position setting.
</p>
<p>
To change the position smoothly, press the right button and drag
within the top half of the panner, then release. The position will
be limited by the current width setting. <em>Note: you do not need
to grab the position indicator in order to drag</em>
</p>
<p>
To change the width smoothly, press the right button and drag
within the lower half of the panner, then release. The width will be
@ -170,7 +167,7 @@ title: Stereo Panner
<dt><key>0</key></dt>
<dd>reset position to center</dd>
<dt><key class="mod2">&uarr;</key></dt>
<dd>reset width to 180&deg; (100%)</dd>
<dd>reset width to full (100%)</dd>
</dl>
<h4>Using the scroll wheel/touch scroll</h4>
@ -193,3 +190,41 @@ title: Stereo Panner
<dt>down / <key class="mod1">down</key></dt>
<dd>move position 1&deg; / 5&deg;to the right</dd>
</dl>
<h2><a name="caveat" />Panning caveats</h2>
<p>
Note that the stereo panner will introduce unwanted side effects on
material that includes a time difference between the channels, such
as AB, ORTF or NOS microphone recordings, or delay-panned mixes.<br />
With such signals, when you reduce the with, you are summing two signals
with different delays, which will introduce comb filtering.
</p>
<p>
Let's take a look at what happens when you record a source at 45° to the
right side with an ORTF array (cardioids, spacing 17cm, opening angle
110°):<br />
The time difference is 350 usecs or approximately 15 samples at 44k1. The
level difference due to the directivity of the microphones is about 7.5dB.
</p>
<img src="/images/stereo-panner-with-ORTF-fullwidth.png" />
<p>
For testing, we apply a pink noise signal, which displays as a straight line
in the analyser. To simulate an ORTF, we use Robin Gareus' stereo balance
control LV2 to set the level difference and time delay. Ignore the Trim/Gain
- its purpose is just to align the test signal with the 0dB line of the
analyser.
</p>
<p>
Now for the interesting part: if we reduce the width of the signal to 50%,
the time-delayed signals will be combined in the panner. Observe what
happens to the frequency response:
</p>
<img src="/images/stereo-panner-with-ORTF-halfwidth.png" />
<p>
Depending on your material and on how much you need to manipulate the width,
the comb filter may be acceptable. Then again, it may not be. Listen
carefully for artefacts if you manipulate unknown stereo signals - many
orchestra sample libraries for example do contain time-delay components.
</p>