diff --git a/include/audiomidi-busses-mixer-strips.html b/include/audiomidi-busses-mixer-strips.html index 48e0f3c5..1733671c 100644 --- a/include/audiomidi-busses-mixer-strips.html +++ b/include/audiomidi-busses-mixer-strips.html @@ -1,6 +1,9 @@
@@ -76,7 +79,13 @@
Connecting the output(s) of a track to the input(s) of the bus sends all the audio/MIDI to the bus. In the mixer strip, select (at the @@ -97,7 +106,13 @@
This allows not to interrupt the natural flow of the signal, i.e. the track will still output to what its connected to (e.g. Master). The signal is "tapped" at diff --git a/include/audiomidi-mixer-strips.html b/include/audiomidi-mixer-strips.html index 25ccb223..35a0a9ae 100644 --- a/include/audiomidi-mixer-strips.html +++ b/include/audiomidi-mixer-strips.html @@ -1,6 +1,10 @@ - - +
A mixer strip in Ardour is a vertical view of the track, from a mixing point of view. This view is convenient to deal with I/O, effects, diff --git a/include/automation-nomenclature.html b/include/automation-nomenclature.html index 264423a3..6fa06cc7 100644 --- a/include/automation-nomenclature.html +++ b/include/automation-nomenclature.html @@ -1,7 +1,8 @@
diff --git a/include/behringer-devices-in-mackielogic-control-mode.html b/include/behringer-devices-in-mackielogic-control-mode.html index 80b4669c..386a6628 100644 --- a/include/behringer-devices-in-mackielogic-control-mode.html +++ b/include/behringer-devices-in-mackielogic-control-mode.html @@ -329,7 +329,13 @@ The surface can be broken into 8 groups of controls: "Behringer X-Touch Mini" map included with Ardour. The control layout in Mackie Control mode is shown below.
- + +Missing content
diff --git a/include/comparing-aux-sends-and-subgroups.html b/include/comparing-aux-sends-and-subgroups.html index 8d36478b..7341be3f 100644 --- a/include/comparing-aux-sends-and-subgroups.html +++ b/include/comparing-aux-sends-and-subgroups.html @@ -9,11 +9,24 @@ and are typically used to create a separate mix to send to (for example) monitors or headphones (for performer monitor mixes): - + + +Subgroups usually remove the original signal routing to the main mix and replace it with a new one that delivers the output of the subgroup bus to the main mix instead.
- + + diff --git a/include/copying-versus-linking.html b/include/copying-versus-linking.html index cbe8844e..b86e77e0 100644 --- a/include/copying-versus-linking.html +++ b/include/copying-versus-linking.html @@ -38,11 +38,11 @@+ | Copy file to session | This file will be imported in the audio/MIDI folder of the session. |
+ | Copy file to session | This file won't be copied. |
diff --git a/include/fades-tab.html b/include/fades-tab.html index 789aabef..cc8ba3f6 100644 --- a/include/fades-tab.html +++ b/include/fades-tab.html @@ -1,5 +1,10 @@ - +
Change how Ardour works with region crossfades. diff --git a/include/filenames-tab.html b/include/filenames-tab.html index a3a1907a..cb728dea 100644 --- a/include/filenames-tab.html +++ b/include/filenames-tab.html @@ -1,5 +1,10 @@ - +
This tab is used to change how Ardour names recorded regions. diff --git a/include/grid-controls.html b/include/grid-controls.html index 95a1c9f8..4d064428 100644 --- a/include/grid-controls.html +++ b/include/grid-controls.html @@ -1,5 +1,10 @@ - +
Ardour's editor utilizes a grid to assist in the placement of regions diff --git a/include/import-dialog.html b/include/import-dialog.html index 888515c1..9ecf155d 100644 --- a/include/import-dialog.html +++ b/include/import-dialog.html @@ -1,5 +1,10 @@ - +
Many sessions will require the use of existing material, diff --git a/include/locations-tab.html b/include/locations-tab.html index 35f0413b..c3247625 100644 --- a/include/locations-tab.html +++ b/include/locations-tab.html @@ -1,5 +1,10 @@ - +
These options add file locations that will be searched to find the audio and diff --git a/include/master-bus-strip.html b/include/master-bus-strip.html index e1876fdc..5f0e5f26 100644 --- a/include/master-bus-strip.html +++ b/include/master-bus-strip.html @@ -1,5 +1,8 @@
diff --git a/include/media-tab.html b/include/media-tab.html index d26943d5..880f4ec0 100644 --- a/include/media-tab.html +++ b/include/media-tab.html @@ -1,5 +1,10 @@ - +
Change how sound is stored on disk. These options do not change how sound is handled diff --git a/include/metadata.html b/include/metadata.html index 5d6fa1f0..4823674c 100644 --- a/include/metadata.html +++ b/include/metadata.html @@ -5,7 +5,12 @@
Add content
diff --git a/include/meterbridge-tab.html b/include/meterbridge-tab.html index ef7f339e..4348ca8b 100644 --- a/include/meterbridge-tab.html +++ b/include/meterbridge-tab.html @@ -4,7 +4,12 @@ This tab changes what additional controls are also displayed. - +The Monitor section is an optional feature that provides Control Room/Monitor Speaker outputs. It can be activated for the current session in the diff --git a/include/monitor-signal-flow.html b/include/monitor-signal-flow.html index 4354c248..84b4eef8 100644 --- a/include/monitor-signal-flow.html +++ b/include/monitor-signal-flow.html @@ -2,8 +2,14 @@
There are three basic ways to approach monitoring:
When using external monitoring, Ardour plays no role in monitoring at all. Perhaps the recording set-up has an external mixer which can be used to set up monitor mixes, or perhaps the sound-card being used @@ -11,19 +17,33 @@ src="/images/external-monitoring.png" /> latency. On the other hand it requires external hardware, and the monitoring settings are less flexible and not saved with the session.
-Some sound cards have the ability to mix signals from their inputs to their outputs with very low or even zero latency, a feature called hardware monitoring. - Furthermore, on some cards this function can be controlled by JACK. This is a nice arrangement, + Furthermore, on some cards this function can be controlled by JACK. This is a nice arrangement, if the sound card supports it, as it combines the convenience of having the monitoring controlled by Ardour with the low latency operation of doing it externally.
-With the software monitoring approach, all monitoring is performed by Ardour—it makes track inputs available at track outputs, governed by various controls. This approach will almost always have diff --git a/include/nudge-controls.html b/include/nudge-controls.html index 9720ae8d..96e735aa 100644 --- a/include/nudge-controls.html +++ b/include/nudge-controls.html @@ -1,5 +1,10 @@ - +
The nudge controls will move the selected region(s) by a fixed amount of time. The left and right buttons move either backward or forward in time, and the small clock to the left of these buttons sets the amount of time to nudge by. As with all other clocks, you can right-click on the clock to choose the time representation you want to use. diff --git a/include/osc58-using-the-setup-dialog.html b/include/osc58-using-the-setup-dialog.html index 5c440d29..121a7652 100644 --- a/include/osc58-using-the-setup-dialog.html +++ b/include/osc58-using-the-setup-dialog.html @@ -24,10 +24,14 @@
- -
+ + +This field is informational only. It shows where Ardour will receive @@ -37,10 +41,14 @@ port up and will keep trying up to 10 ports up.
- -
+ + +This drop down allows the choice of Auto or Manual outbound port setting. The Auto port mode, will send OSC messages back to @@ -82,10 +90,14 @@ controllable.
- -
+ + +Sets the faders (and sends faders) feedback math to position where a value between 0 and 1 represents the fader position of the same fader @@ -95,19 +107,27 @@ fader is being adjusted and then return the name text.
- -
+ + +For debugging purposes this allows logging either all OSC messages Ardour receives or invalid messages received or none.
- -
+ + +Ardour now allows the use of preset settings. The default settings used are the settings from the last session or the factory defaults @@ -134,10 +154,14 @@ so having correct defaults allows one "Connect" button rather than 4.
- -
+ + +This allows selecting which of Ardour's mixer strips will be available for control. The Factory default is all strips except master, monitor @@ -150,10 +174,14 @@ controlled by a VCA are hidden, but one of those tracks needs a tweak.
- -
+ + +This allows setting up which controls provide feedback. The Factory default is none. If the controller is unable to receive feedback, this diff --git a/include/other-toolbar-items.html b/include/other-toolbar-items.html index 66cef717..e0199951 100644 --- a/include/other-toolbar-items.html +++ b/include/other-toolbar-items.html @@ -1,6 +1,11 @@
These buttons allow switching the monitoring mode globally, for all the tracks at once. @@ -23,7 +28,12 @@
Those 2 buttons control the behaviour of the playhead: @@ -35,7 +45,12 @@
The Status buttons show the current session state: @@ -49,7 +64,12 @@
The Mode Selector allows switching between the Editor and Mixer windows. diff --git a/include/processor-box.html b/include/processor-box.html index 7c931fad..11e30c95 100644 --- a/include/processor-box.html +++ b/include/processor-box.html @@ -1,7 +1,9 @@ -
- Thus, in an ideal world, a single device with a single clock and all the inputs, outputs and other features needed should be used. Of course, there are those who like to point out that this is not an ideal world, and believe that software should make up for this. + Thus, in an ideal world, a single device with a single clock and all the inputs, + outputs and other features needed should be used. Of course, there are those + who like to point out that this is not an ideal world, and believe that software + should make up for this.
- -
+Since version 5.4, Ardour has had extensive support for the Ableton Push2. This is an expensive but beautifully engineered control @@ -44,11 +48,15 @@ aftertouch or polyphonic pressure messages. You can alter this setting via the Push 2 GUI, accessed by double-clicking on the "Push 2" entry in the control surfaces list. -
-
+With the Push 2 support in Ardour 5.4, you can do the following @@ -99,10 +107,14 @@ them, the video display and the 8 buttons below that are combined to provide a global view of the session mix.
-- -
+ +The upper buttons are labelled by text in the video display just below them. Pressing one of the buttons changes the function of the @@ -231,10 +243,14 @@ Press the Scale button to enter Scale mode. The display will look like this:
-- -
+ +In the center, 37 scales are presented. Scroll through them by either using the cursor/arrow keys to the lower right of the diff --git a/include/using-the-presonus-faderport.html b/include/using-the-presonus-faderport.html index 7d8bbfeb..53d405d3 100644 --- a/include/using-the-presonus-faderport.html +++ b/include/using-the-presonus-faderport.html @@ -39,9 +39,14 @@ ports where your Faderport is connected.
- -
+ +Once you select the input and output port, Ardour will initialize the Faderport and it will be ready to use. You only need do this diff --git a/include/using-the-presonus-faderport8.html b/include/using-the-presonus-faderport8.html index 286f8994..a4ea5ed9 100644 --- a/include/using-the-presonus-faderport8.html +++ b/include/using-the-presonus-faderport8.html @@ -49,8 +49,10 @@ future sessions.
The two Shift buttons are identical, they're copied to provide @@ -197,8 +205,10 @@ (Note: with the 1.01 firmware these buttons always act on press.)
For tracks with 10 outputs, Ardour will currently assume a 3-dimensional speaker layout corresponding to Auro-3D 10.1, which is a horizontal 5.1 diff --git a/include/working-with-extenders.html b/include/working-with-extenders.html index eb0ea66c..8ae1a8c7 100644 --- a/include/working-with-extenders.html +++ b/include/working-with-extenders.html @@ -49,8 +49,14 @@ and the bottom is the rightmost. The GUI shows explicitly the position of the main or master surface within the group of surfaces.
- + +
The MasterPosition
value is the position the master unit
(with the master fader) is located at within the group of surfaces.
diff --git a/include/zoom-controls.html b/include/zoom-controls.html
index 86dd7566..87b3a857 100644
--- a/include/zoom-controls.html
+++ b/include/zoom-controls.html
@@ -1,5 +1,10 @@
-
+
The zoom controls allow to navigate the session along both the time and track axes.
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