Tempo and meter again.
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@ -56,7 +56,7 @@ The new tempo will be the same as the tempo at the position of the mouse click (
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<p>To copy a tempo, hold down the primary modifier and drag the tempo you wish to copy.</p>
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<p>To copy a tempo, hold down the primary modifier and drag the tempo you wish to copy.</p>
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METER
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<h3>Meter</h3>
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<p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
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<p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
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@ -82,10 +82,10 @@ If you need another bar, lock the meter to music again (right click->"Lock to Mu
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<li>To copy a meter, hold down control and drag it.</li>
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<li>To copy a meter, hold down control and drag it.</li>
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Techniques
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<h3>Techniques </h3>
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As a general approach, the best way to control tempo ramps is to use them in pairs (disregarding the first one).
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<p>As a general approach, the best way to control tempo ramps is to use them in pairs (disregarding the first one).
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</p>
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<p>Lets imagine we want to match PROGRAM_NAMEs click to a drum performance recorded in 'free time'.
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<p>Lets imagine we want to match PROGRAM_NAMEs click to a drum performance recorded in 'free time'.
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The first thing we need to do is determine where the first beat is. Drag the first meter to that position.
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The first thing we need to do is determine where the first beat is. Drag the first meter to that position.
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</p>
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</p>
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@ -141,7 +141,7 @@ you dragged the BBT ruler, making the second tempo provide enough pulses over th
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<p>If your ramp doesn't feel correct, you may add more points within it and keep adjusting beat positions in a similar manner.
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<p>If your ramp doesn't feel correct, you may add more points within it and keep adjusting beat positions in a similar manner.
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</p>
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</p>
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General note:
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<h3>General</h3>
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<p>Audio locked meters can be useful when composing, as they allow a continuous piece of music to be worked on in
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<p>Audio locked meters can be useful when composing, as they allow a continuous piece of music to be worked on in
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isolated segments, preventing the listening fatigue of a fixed form.
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isolated segments, preventing the listening fatigue of a fixed form.
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