Fix for internal anchor links in the build script.
Seems this had been broken for some time now, but nobody noticed it. :-/ Thanks to Len Ovens for pointing this one out. :-)
This commit is contained in:
parent
bc89d6d2a8
commit
081e7af0b6
5
build.py
5
build.py
@ -22,7 +22,7 @@ import argparse
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# This matches all *non* letter/number, ' ', '.', '-', and '_' chars
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cleanString = re.compile(r'[^a-zA-Z0-9 \._-]+')
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# This matches new 'unbreakable' links, up to the closing quote or anchor
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findLinks = re.compile(r'"@@[^#"]*"')
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findLinks = re.compile(r'"@@[^#"]*[#"]')
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githuburl = 'https://github.com/Ardour/manual/edit/master/include/'
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#
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@ -258,13 +258,14 @@ def FindInternalLinks(fs):
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for hdr in fs:
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if 'link' in hdr:
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linkDict['"@@' + hdr['link'] + '"'] = '"/' + hdr['filename'] + '/"'
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linkDict['"@@' + hdr['link'] + '#'] = '"/' + hdr['filename'] + '/index.html#'
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return linkDict
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#
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# Internal links are of the form '@@link-name', which are references to the
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# 'link:' field in the part header. We have to find all occurances and replace
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# 'link:' field in the part header. We have to find all occurrences and replace
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# them with the appropriate link.
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#
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def FixInternalLinks(links, content, title):
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@ -127,3 +127,4 @@
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<p>
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To learn more about the process of mixing, see <a href="@@basic-mixing">Mixing</a>.
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</p>
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@ -20,3 +20,4 @@
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The file will be imported and copied into the session, and placed at the
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position where the drag ended.
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</p>
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@ -91,3 +91,4 @@ track) or <em>After selection</em>.</td></tr>
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from the menu. A warning dialog will pop up, as track removal cannot be undone;
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this option should be used with care!
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</p>
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@ -57,3 +57,4 @@
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<td>Allows to assign the track to an existing or a
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new group. For details see <a href="@@track-and-bus-groups">Track and bus groups</a>.</td></tr>
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</table>
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@ -117,3 +117,4 @@
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effects, can both coexist, as e.g. a "grouping" drum bus can have a send to a
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reverb bus, and be connected to a compressor bus.
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</p>
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@ -108,3 +108,4 @@
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panner, or to follow it. The latter could be useful for Reverb effects, or
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for in-ear monitor mixes delivered in stereo.
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</p>
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@ -332,3 +332,4 @@ The surface can be broken into 8 groups of controls:
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<img alt="X-Touch Mini MC mode layout" src="/images/xtouch-mini-mcp.png">
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<p class=fixme>Missing content</p>
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@ -19,3 +19,4 @@
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<p>
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For more information about the bus concept, see <a href="@@understanding-basic-concepts-and-terminology#busses">Understanding basic concepts</a>.
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</p>
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@ -85,3 +85,4 @@
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permanently deleted. If a file is mistakenly destroyed this way, the user will
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have to rely on data recovery techniques to try getting it back.
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</p>
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@ -53,3 +53,4 @@ view.</td></tr>
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<td>Inserts the currently selected regions in the Region List at the edit
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point.</td></tr>
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</table>
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@ -63,3 +63,4 @@ A VCA strip is made of (from top to bottom in the screenshot):
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multiple buttons. Disconnecting a VCA from a track is done by unchecking this VCA in
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the list that pops up, or clicking <kbd class="menu">Unassign All</kbd> to disconnect from all VCAs at once.
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</p>
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@ -58,3 +58,4 @@
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<p>
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By default, looping is bound to the <kbd>l</kbd> key.
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</p>
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@ -92,3 +92,4 @@
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remote IDs is not possible. The master bus and monitor section can be
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accessed by name.
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</p>
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@ -22,3 +22,4 @@
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same exact position on the timeline as the originals is done by simply using a
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<kbd class="mouse mod1">Middle</kbd>-drag instead.
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</p>
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@ -52,3 +52,4 @@
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General > Session > Always copy imported files</kbd>. If it is
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enabled, linking a file will not be possible.
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</p>
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@ -40,3 +40,4 @@
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<dfn>overlap</dfn>. This is much more flexible and will cover almost all of the
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cases that the fixed rules above might make cumbersome.
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</p>
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@ -16,3 +16,4 @@
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creation time the instrument that will be used in the track. The instrument in
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this context is any plugin that will generate audio in response to receiving MIDI.
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</p>
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@ -27,3 +27,4 @@
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clicking <kbd class="menu">New Marker</kbd> and using the <a href="@@editing-clocks">
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clock widget</a> to set its position.</li>
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</ul>
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@ -29,3 +29,4 @@
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<p>
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See <a href="@@moving-markers">Moving markers</a> for more information.
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</p>
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@ -49,3 +49,4 @@
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class="mod2n"></kbd>, <kbd class="mod3n"></kbd>, etc.) differ among
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platforms, so different default bindings for each are provided.
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</p>
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@ -76,3 +76,4 @@
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world uses Mackie Control Protocol. Ardour does not support HUI at
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this time.
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</p>
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@ -34,3 +34,4 @@ editing operations take place. It can be set to either of the following:
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all three choices (including the selected marker). The edit point can also be
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switched using the combo-selector just right of the snap/grid unit selector.
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</p>
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@ -124,3 +124,4 @@
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on the clock, dragging downwards decreases it, again with a step size equal to
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the unit of the field where the drag began on.
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</p>
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@ -8,3 +8,4 @@
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choose the list to view. The left-hand border of the list can be dragged to
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vary the width of the list.
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</p>
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@ -188,3 +188,4 @@
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choose to export either the region contents or the track output here in this
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case.
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</p>
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@ -387,3 +387,4 @@ bindings">
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decimal numbers in the ranges 1-16, 0-127 and 0-127 respectively
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(the channel range may change at some point).
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</p>
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@ -130,3 +130,4 @@
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AudioUnit format. These have their own installation process that tends to
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just work.
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</p>
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@ -156,3 +156,4 @@
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unusable. This option should not be used in conjunction with the use any of the
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Region grid units.
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</p>
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@ -89,3 +89,4 @@
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<a href="@@copying-versus-linking">Copying
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versus Linking</a> for details.
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</p>
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@ -71,3 +71,4 @@
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the cost is 59 USD for the "Standard" version, and 199 USD for the "Enhanced"
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version).
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</p>
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@ -34,3 +34,4 @@
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the digital case there will still be the A-D-A conversion latency of
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1–2 ms.
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</p>
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@ -53,3 +53,4 @@
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it will end up with 10 lanes. Obviously, using a large track height
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works much better for this than a small one.
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</p>
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@ -743,3 +743,4 @@
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<tr><th><kbd class="osc">Mixer/unity-gain</kbd></th><td>Set Gain to 0dB on Mixer-Selected Tracks/Busses</td></tr>
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</tbody>
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</table>
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@ -35,3 +35,4 @@
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and move it to a nearby region boundary, region sync point, or to the
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playhead or mouse.
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</p>
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@ -17,3 +17,4 @@
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<p class="note">
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The Master bus strip is <em>always</em> fixed, at the right end of the mixer, regardless of the scrolling position.
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</p>
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@ -45,3 +45,4 @@
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<p>
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To edit the contents of a MIDI track see <a href="@@edit-midi">MIDI Editing</a>.
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</p>
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@ -344,3 +344,4 @@
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<tr><th>set tempo (1 bar) from region(s)</th>
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<td><kbd class="">9</kbd></td></tr>
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</table>
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@ -114,3 +114,4 @@
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Clicking on this button shows a menu that allows quick and convenient routing of the Monitor Section's outputs to audio hardware outputs, e.g. to feed control room monitors.
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It also has an option to open Ardours routing matrix, where more detailed connectivity is available if routing to something other than hardware is required.
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</p>
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@ -46,3 +46,4 @@
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Unarmed tracks however will always just play back their contents from
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disk; the live input will never be monitored.
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</p>
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@ -8,3 +8,4 @@
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the input signal of all tracks that are armed for recording, and playing
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back the unarmed tracks.
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</p>
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@ -83,3 +83,4 @@ wheel may be used as follows:
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<tr><th><kbd class="mod1 mouse">⇓</kbd> or <kbd class="mod1 mouse">⇒</kbd></th>
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<td>move position to the right by 5°</td></tr>
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</table>
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same exact position on the timeline is done by simply using a
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<kbd class="mouse">Middle</kbd>-drag instead.
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</p>
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@ -24,3 +24,4 @@
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By <kbd class="mod1 mouse">left</kbd>-dragging either end of the range marker, the
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other end will move by the same distance.
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</p>
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@ -127,3 +127,4 @@
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of the track; through the sends, through the control outputs (to the monitor
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bus) and to the main outputs.
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</p>
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@ -130,3 +130,4 @@
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<li>The third one enlarges the tracks, and is the counterpart of the previous
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one.</li>
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</ul>
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@ -164,3 +164,4 @@
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class="menu">CoreMIDI</kbd>. On Linux, it can be changed between two legacy
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ALSA drivers or the (preferred) new JACK+ALSA implementation.</td></tr>
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</table>
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@ -49,3 +49,4 @@
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The only difference is the last parameter is 1 for touched and 0 for touch released. All of the rest
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of the explanation above applies.
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</p>
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@ -618,3 +618,4 @@ Any of these actions that can be moved to session->action calls may reapear.
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<td>Uses edit range as punch range</td></tr>
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<dt><kbd class="osc">/toggle_all_rec_enables</kbd></th>
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<td>(toggles all tracks' recording state)</dd-->
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@ -251,3 +251,4 @@
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that OSC does track will show on those OSC controls. Examples of this
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might be track record enable for tracks 1 to 32, play or stop.
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</p>
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@ -39,3 +39,4 @@
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In addition to the panners, Ardour has a balance control for subtle
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corrections to existing stereo images.
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</p>
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<p class=fixme>
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Add content
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</p>
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@ -56,3 +56,4 @@
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Plugins can be removed from the bottom half with a double click, or, if
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already selected, by clicking <kbd class="menu">Remove</kbd>.
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</p>
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@ -50,3 +50,4 @@
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type: every note which is considered a second note (i.e. close enough to an odd
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grid line as per the threshold value) will be delayed by this number of ticks.
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</p>
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@ -19,3 +19,4 @@
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Below these items is the rest of the <a href="@@track-context-menu">Track Context Menu</a>, which
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provides access to <dfn>track-level operations</dfn>.
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</p>
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@ -62,3 +62,4 @@
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should not). Ardour will add a version number in the future if needed (e.g.
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if the region is copied or sliced).
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</p>
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@ -16,3 +16,4 @@
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a new copy of the session folder and its contents. All it does is create a
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new session file.
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</p>
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@ -167,3 +167,4 @@
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<kbd class="mouse">right</kbd> click then <kbd class="menu">Selected Regions > Position >
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Snap position to grid</kbd>.
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</p>
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@ -42,3 +42,4 @@
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Tempo, Bars:Beats and Timecode use are described in <a
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href="@@tempo-and-meter">Tempo and Meter</a>.
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</p>
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@ -39,3 +39,4 @@
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will appear in the results window. Selected files can be auditioned and marked
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with additional tags if required.
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</p>
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@ -74,3 +74,4 @@
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selects it. This will do nothing for whole-file regions, since they do not exist
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anywhere in a playlist or track.
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</p>
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@ -70,3 +70,4 @@
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<p>
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See <a href="@@track-types">Track Modes</a> for more information.
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</p>
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@ -24,3 +24,4 @@
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See also <a href="@@adding-tracks-busses-and-vcas">Adding Tracks and Busses</a>
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for information on templates for individual tracks or busses.
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</p>
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@ -40,3 +40,4 @@
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is required. Ardour offers many possibilties for connecting things in the
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way you may need or want them.
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</p>
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@ -60,3 +60,4 @@
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present. Clicking on it shows the list, and then clicking on the name of the
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snapshot loads it.
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</p>
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@ -9,3 +9,4 @@
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This is one of the most common methods of interchange because it works between
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all DAWs.
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</p>
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@ -247,3 +247,4 @@ some degree of comb filtering may be acceptable. Then again, it may not. Listen
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carefully for artefacts if you manipulate unknown stereo signals—many
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orchestra sample libraries for example do contain time-delay components.
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</p>
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@ -105,3 +105,4 @@
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<li>For multi-tonal material (chords,…), either one of the three first choice, or the default
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<em>Crisp</em>.</li>
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</ul>
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@ -147,3 +147,4 @@
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<li>To change a meter, double click it. A dialog will appear.</li>
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<li>To copy a meter, hold down <kbd class="mod1n"></kbd> and drag it.</li>
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</ul>
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@ -102,3 +102,4 @@
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<tr><th>Preferences</th><td>Displays the <a href="@@global-preferences-dialog">Preferences</a> panels, allowing to change Ardour's behaviour</td></tr>
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</table>
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@ -8,3 +8,4 @@
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href="@@the-ranges-and-marks-lists">Ranges & Marks
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list</a>.
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</p>
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@ -69,3 +69,4 @@
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exported TOC or CUE files. This is relevant for Disk-At-Once recordings
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that may contain audio data between tracks.</td></tr>
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</table>
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@ -85,3 +85,4 @@
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<tr><th>Remove</th><td>Deletes the region from the edit (no file is harmed in the process, and the region stays in the Editor for later use)</td></tr>
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</table>
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@ -6,3 +6,4 @@
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<p>
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See <a href="@@snapshots">Snapshots</a> for more information on snapshots.
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</p>
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@ -39,3 +39,4 @@
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As with the region list, hovering the mouse pointer over a column heading shows
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a tool-tip which can be handy to remember what the columns are for.
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</p>
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@ -78,3 +78,4 @@
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<tr><th>[] Show Group Tabs</th><td>If checked, makes the groups visible as tabs on the left in the Editor, and on the top in the mixer</td></tr>
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<tr><th>[] Show Marker Lines</th><td>If checked, each marker is extended across all the tracks in the editor with a line of the same color</td></tr>
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</table>
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@ -103,3 +103,4 @@
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cross-hairs. This tool acts on region gain and automation as the Draw tool.<br>
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On a MIDI region, it allows to lasso-select multiple notes at a time.</td></tr>
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</table>
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@ -151,3 +151,4 @@
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<tr><th>Disable All Groups</th>
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<td>makes all groups inactive, including any hidden groups.</td></tr>
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</table>
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|
@ -35,3 +35,4 @@
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Group…</kbd> and then clicking on the Color selector in the displayed
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dialog.
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</p>
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|
@ -57,3 +57,4 @@ operations.
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<tr><th>(un)Freeze</th><td>Consolidates all the regions in the track into one <em>frozen</em> region which can be handled as a normal, single region. This operation can be undone at any time with the same sub-menu.</td></tr>
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</table>
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@ -42,3 +42,4 @@
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The <dfn>Visual Undo</dfn> (default shortcut: <kbd class="mod3">Z</kbd>) can be
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used to revert this operation.
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</p>
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|
@ -127,3 +127,4 @@
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preferable to leave Ardour make connections automatically, even if some changes
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are manually done later.
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</p>
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@ -101,3 +101,4 @@
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Go to the <kdb class="menu">Transport</kbd> and <kdb class="menu">Transport >
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Playhead</kbd> to find more.
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</p>
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@ -79,3 +79,4 @@
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|
||||
<a href="/images/bigclock.png"><img src="/images/bigclock.png" height="100" alt="an image of the big clock filling a screen"></a>
|
||||
<a href="/images/bigclock-recording.png"><img src="/images/bigclock-recording.png" height="100" alt="an image of the big clock while recording"></a>
|
||||
|
||||
|
@ -18,3 +18,4 @@
|
||||
or substract to all the notes inside the region(s), and/or for more significant
|
||||
changes, octaves (12 semitones).
|
||||
</p>
|
||||
|
||||
|
@ -28,3 +28,4 @@
|
||||
<tr><th><kbd class="mod1">space</kbd></th>
|
||||
<td>Stop and forget capture</td></tr>
|
||||
</table>
|
||||
|
||||
|
@ -464,3 +464,4 @@ Link and Link-Lock mode will automatically disengage when entering
|
||||
<kbd>Sends</kbd> or <kbd>Edit Plugins</kbd> mode.
|
||||
</p>
|
||||
<div class="clearer"></div>
|
||||
|
||||
|
@ -80,3 +80,4 @@
|
||||
the panner direction. The width parameter controls the opening angle of
|
||||
the distribution sector.
|
||||
</p>
|
||||
|
||||
|
@ -28,3 +28,4 @@
|
||||
<td>The zero line appears at the bottom of the display and waveforms appear
|
||||
as absolute peaks <em>above</em> the line only.</td></tr>
|
||||
</table>
|
||||
|
||||
|
@ -33,3 +33,4 @@
|
||||
musical tempo & meter, timecode synchronization, etc.) with one or more
|
||||
Tracks and Buses, and all the Regions and Plug-Ins they contain.
|
||||
</p>
|
||||
|
||||
|
@ -41,3 +41,4 @@
|
||||
edit points (<kbd class="menu">Playhead</kbd>,<kbd class="menu">Marker</kbd>)
|
||||
indicate a time only.
|
||||
</p>
|
||||
|
||||
|
@ -73,3 +73,4 @@
|
||||
The <kbd class="menu">dB scale</kbd> selector in the bottom left allows to
|
||||
change the vertical scale of the graphs.
|
||||
</p>
|
||||
|
||||
|
@ -51,3 +51,4 @@
|
||||
class="menu">Export</kbd>, <kbd class="menu">Bounce</kbd> and <kbd
|
||||
class="menu">Reverse</kbd> operations create new audio files).
|
||||
</p>
|
||||
|
||||
|
@ -32,3 +32,4 @@ according to you screen vertical size, some high number can have no effect.</p>
|
||||
</ul>
|
||||
|
||||
<p>The rightmost buttons <kbd class="menu">Shrink tracks</kbd> and <kbd class="menu">Expand tracks</kbd> reduce or expand the vertical size of the selected tracks. If no track is selected, all the tracks will be shrunk or expanded each time the button is pushed.
|
||||
|
||||
|
@ -238,7 +238,6 @@ uri: recording/monitoring/monitor-setup-in-ardour
|
||||
part: subchapter
|
||||
---
|
||||
|
||||
|
||||
---
|
||||
title: Synchronization
|
||||
include: working-with-synchronization.html
|
||||
@ -2194,7 +2193,6 @@ uri: using-control-surfaces/Presonus_FaderPort
|
||||
part: chapter
|
||||
---
|
||||
|
||||
|
||||
---
|
||||
title: Using the PreSonus FaderPort 8
|
||||
menu_title: PreSonus FaderPort 8
|
||||
|
Loading…
Reference in New Issue
Block a user