2013-02-15 13:21:59 -05:00
|
|
|
|
|
|
|
<p>
|
2014-02-18 17:13:02 -05:00
|
|
|
Timecode settings are accessed from the menu in three places:
|
2013-02-15 13:21:59 -05:00
|
|
|
</p>
|
|
|
|
|
2013-02-15 15:49:33 -05:00
|
|
|
<ul>
|
2014-02-18 17:13:02 -05:00
|
|
|
<li><kbd class="menu">Session > Properties > Timecode</kbd></li>
|
|
|
|
<li><kbd class="menu">Edit > Preferences > Transport</kbd></li>
|
|
|
|
<li><kbd class="menu">Edit > Preferences > MIDI</kbd></li>
|
2013-02-15 15:49:33 -05:00
|
|
|
</ul>
|
2013-02-15 13:21:59 -05:00
|
|
|
|
2013-02-15 15:49:33 -05:00
|
|
|
<h2>Timecode Settings</h2>
|
2014-02-18 17:13:02 -05:00
|
|
|
<dl>
|
|
|
|
<dt><kbd class="menu">Timecode frames-per-second</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
Configure timecode frames-per-second (23.976, 24, 24.975, 25, 29.97,
|
|
|
|
29.97 drop, 30, 30 drop, 59.94, 60). Note that all fractional
|
2014-02-18 17:13:02 -05:00
|
|
|
framerates are actually fps*(1000.0/1001.0).
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="menu">Pull up/down</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
Video pull-up modes change the effective samplerate of Ardour to
|
|
|
|
allow for changing a film soundtrack from one frame rate to another.
|
2014-02-18 17:13:02 -05:00
|
|
|
See <a href="http://en.wikipedia.org/wiki/Telecine">Telecine</a>
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="menu">Slave Timecode offset</kbd></dt>
|
|
|
|
<dd>
|
|
|
|
The specified offset is added to the received timecode (MTC or
|
|
|
|
LTC).
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="menu">Timecode Generator offset</kbd></dt>
|
|
|
|
<dd>
|
|
|
|
Specify an offset which is added to the generated timecode (so far only LTC).
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="option">JACK Time Master</kbd></dt>
|
|
|
|
<dd>
|
|
|
|
Provide Bar|Beat|Tick and other information to JACK.
|
|
|
|
</dd>
|
|
|
|
</dl>
|
|
|
|
<p>These settings are session specific.</p>
|
2013-02-15 13:21:59 -05:00
|
|
|
|
|
|
|
|
2013-02-15 15:49:33 -05:00
|
|
|
<h2>Transport Preferences</h2>
|
2014-02-18 17:13:02 -05:00
|
|
|
<dl>
|
|
|
|
<dt><kbd class="menu">External timecode source</kbd></dt>
|
|
|
|
<dd>
|
|
|
|
Select timecode source: JACK, LTC, MTC, MIDI Clock
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="option">Match session video frame rate to external timecode</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
This option controls the value of the video frame rate <em>while
|
|
|
|
chasing</em> an external timecode source. When enabled, the
|
|
|
|
session video frame rate will be changed to match that of the selected
|
|
|
|
external timecode source. When disabled, the session video frame rate
|
|
|
|
will not be changed to match that of the selected external timecode
|
|
|
|
source. Instead the frame rate indication in the main clock will flash
|
|
|
|
red and Ardour will convert between the external timecode standard and
|
2014-02-18 17:13:02 -05:00
|
|
|
the session standard.
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="option">External timecode is sync locked</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
Indicates that the selected external timecode source shares sync (Black
|
2014-02-18 17:13:02 -05:00
|
|
|
& Burst, Wordclock, etc) with the audio interface.
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="option">Lock to 29.9700 fps instead of 30000/1001</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
The external timecode source is assumed to use 29.97 fps instead of
|
|
|
|
30000/1001. SMPTE 12M-1999 specifies 29.97df as 30000/1001. The spec
|
|
|
|
further mentions that drop-frame timecode has an accumulated error of -86ms
|
|
|
|
over a 24-hour period. Drop-frame timecode would compensate exactly for a
|
|
|
|
NTSC color frame rate of 30 * 0.9990 (ie 29.970000). That is not the actual
|
|
|
|
rate. However, some vendors use that rate—despite it being against
|
|
|
|
the specs—because the variant of using exactly 29.97 fps has zero
|
2014-02-18 17:13:02 -05:00
|
|
|
timecode drift.
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="menu">LTC incoming port</kbd></dt>
|
|
|
|
<dd>
|
|
|
|
Offers a session agnostic way to retain the LTC port connection.
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="option">Enable LTC generator</kbd></dt>
|
|
|
|
<dd>Does just what it says.</dd>
|
|
|
|
<dt><kbd class="option">Send LTC while stopped</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
Enable to continue to send LTC information even when the transport
|
|
|
|
(playhead) is not moving. This mode is intended to drive analog tape
|
2014-02-18 17:13:02 -05:00
|
|
|
machines which unspool the tape if no LTC timecode is received.
|
|
|
|
</dd>
|
|
|
|
<dt><kbd class="menu">LTC generator level</kbd></dt>
|
|
|
|
<dd>
|
2017-02-25 00:30:29 -05:00
|
|
|
Specify the Peak Volume of the generated LTC signal in dbFS. A good value
|
2014-02-18 17:13:02 -05:00
|
|
|
is 0 dBu (which is -18 dbFS in an EBU calibrated system).
|
|
|
|
</dd>
|
|
|
|
</dl>
|
|
|
|
<p>These settings are common to all sessions.</p>
|
2013-02-15 13:21:59 -05:00
|
|
|
|
|
|
|
|
2013-02-15 15:49:33 -05:00
|
|
|
<h2>MIDI Preferences</h2>
|
2014-02-18 17:13:02 -05:00
|
|
|
<dl>
|
|
|
|
<dt><kbd class="option">Send MIDI Timecode</kbd></dt><dd>Enable MTC generator</dd>
|
|
|
|
<dt><kbd class="option">Send MIDI Clock</kbd></dt><dd>Enable MIDI Clock generator</dd>
|
|
|
|
</dl>
|
|
|
|
<p>These settings are also common to all sessions.</p>
|
2013-02-15 13:21:59 -05:00
|
|
|
|