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<h2 id="selection_clocks">The Selection Clocks</h2>
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<img src="/images/selection-clocks.png" alt="The range clocks">
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<p>
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The current <dfn>selection range</dfn>, as set with the <a href="/ardours-interface/the-toolbox/">Range Mode tool</a>,
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is displayed in these three clocks: start of the range, end of the range, and length.
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</p>
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<p>
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2017-02-14 09:51:09 -05:00
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Clicking on the range clocks will locate to either the beginning or end of the punch range.
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</p>
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2017-02-14 09:51:09 -05:00
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<p>
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<kbd class="mouse">Right</kbd> clicking on any of the clocks brings up a context menu
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allowing to change the type of time display between the <a href="/introducing-ardour/basic-gui-operations/editing-clocks/">
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4 clock modes</a>, and to copy the selected clock's time to the clipboard.
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</p>
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<h2 id="punch_controls">The Punch Controls & clocks</h2>
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<figure>
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<img src="/images/punch-controls.png" alt="The punch controls">
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<img src="/images/punch-clocks.png" alt="The punch clocks">
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<figcaption>
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The Punch Controls, and the related Punch clocks
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</figcaption>
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</figure>
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<p>
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The punch controls available in the main toolbar, work in conjunction with the
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punch clocks, only visible while in Editor Mode.
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</p>
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2017-01-20 04:52:51 -05:00
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<p>
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The <kbd class="menu">In</kbd> and <kbd class="menu">Out</kbd> buttons relate
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to the Punch range, and allow to use only one of the two punch boundaries, or both:
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</p>
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<dl>
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<dt>In only</dt><dd>Records from the In marker on, without a end boundary</dd>
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<dt>Out only</dt><dd>Records untils the Out marker, without a beginning boundary</dd>
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<dt>In only</dt><dd>Records only between the In and Out markers</dd>
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</dl>
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<p>
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The punch clocks can be controlled the same way as the range clocks (moving the playhead,
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and changing the display mode).
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</p>
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<h2 id="rec-mode">Recording mode</h2>
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<p>
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The <kbd class="menu">Rec</kbd> button affects how the tracks behave when recording:
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</p>
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2017-02-14 09:51:09 -05:00
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<dl>
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<dt>Non-Layered OFF <em>(default)</em></dt>
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<dd>Tracks in <dfn>normal mode</dfn> will record non-destructively —
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new data is written to new files, and when overdubbing, new regions will be
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layered on top of existing ones. This is the recommended mode for most workflows.
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</dd>
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<dt>Non-Layered ON</dt>
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<dd>Tracks using <dfn>non-layered mode</dfn> will record non-destructively
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— new data is written to new files, but when overdubbing, the existing
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regions are trimmed so that there are no overlaps. This does not affect
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the previously recorded audio data, and trimmed regions can be expanded
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again at will. Non-layered mode can be very useful for spoken word material,
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especially in combination with <a href="/editing-and-arranging/change-region-lengths/pushpull-trimming/">push/pull trimming</a>.
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</dd>
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</dl>
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<p>
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See <a href="/working-with-tracks/track-types/">Track Modes</a> for more information.
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</p>
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