130 lines
5.8 KiB
XML
130 lines
5.8 KiB
XML
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<?xml version="1.0" standalone="no"?>
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<!DOCTYPE section PUBLIC "-//OASIS//DTD DocBook XML V4.4//EN" "http://www.oasis-open.org/docbook/xml/4.4/docbookx.dtd" [
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]>
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<section id="sn-what-is-different-about-ardour">
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<title>What's Different about Ardour</title>
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<para>
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If you are someone who has used other audio software, particularly software
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generally referred to as a Digital Audio Workstation (or "DAW"), then there
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will be a number of things about Ardour that may puzzle you on your initial
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and early encounters with the program.
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</para>
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<section id="no-default-session">
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<title>No default session</title>
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<para>
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You must explicitly create a
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<glossterm linkend="gt-session">Session</glossterm> before you can do
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anything else, and if you choose not to use one of the provided
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<glossterm linkend="gt-session-template">session templates</glossterm> ,
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you will also have to create
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<glossterm linkend="gt-track">tracks</glossterm> and
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<glossterm linkend="gt-bus">busses</glossterm> in order to record and/or
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edit existing audio material.
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</para>
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</section>
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<section id="where-do-plugins-and-sends-go">
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<title>Where do plugins and sends go?</title>
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<para>
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Ardour doesn't have any fixed number of "slots" for
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<glossterm linkend="gt-plugin">plugins</glossterm>, or
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<glossterm linkend="gt-send">sends</glossterm>, or
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<glossterm linkend="gt-insert">inserts</glossterm> : you can have as many
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per-track as your system has the horsepower handle. The two black boxes
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above and below the mixer strip's gain fader are
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<glossterm linkend="gt-redirect">redirect</glossterm> lists where you can
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add, reorder, remove and generally control plugins, sends, and inserts,
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both pre- and post-fader.
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</para>
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</section>
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<section id="no-builtin-eq">
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<title>No builtin EQ</title>
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<para>
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Most people don't think much of the EQ's built into other DAWs. Moreover,
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you cannot meaningfully do equalization with 3 knobs marked "Lo", "Mid" and
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"Hi". Since good-quality EQ plugins are available for no-cost on Linux,
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Ardour prefers to allow you to choose one which you prefer. Of course, you
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can save your session configurations as templates, so if you have a
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particular EQ that you prefer, you only need do this once.
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</para>
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</section>
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<section id="no-visible-send-controls">
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<title>No visible send controls</title>
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<para>
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Although Ardour supports sends, there is no way to control them directly
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from the mixer interface - you don't get a dedicated knob on the mixer
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strip. However, if you bring up the send's own editor (for example, by
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double-clicking on its name in the redirect list), you will find a richer
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set of functionality than most other DAWs offer for controlling the
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behaviour of a send.
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</para>
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</section>
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<section id="a-smaller-set-of-tools">
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<title>A smaller set of tools</title>
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<para>
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Most DAWs have evolved towards providing the so-called "smart tool" which
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allows you to use the mouse for several different kinds of operations
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without changing to a different tool. Ardour has taken this approach from
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the beginning, so that the "Object" tool actually allows you to carry out
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many different operations depending on how and where the mouse is used.
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Ardour does not provide a destructive "pencil" tool as some other DAWs do,
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for some fairly deep technical reasons. Needing to use a "pencil" tool for
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waveform repair nearly always indicates a problem with the setup of your
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session and/or recording hardware. The different tools that ardour does
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offer include the "Object" tool which has many different uses including
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region trimming/moving/copying, automation editing, and more; a "Range"
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tool for defining ranges of time; a "TimeFX" tool for timestretching; a
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"Gain" tool used exclusively for editing region gain envelopes; and a
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"Zoom" tool to manipulate temporal zoom. Many other operations are
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accessible via context menus or <link linkend="sn-key-bindings">keyboard
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bindings</link>
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<!--
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a href="/manual/intro/mouse_and_keyboard">keyboard bindings/a
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-->
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.
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</para>
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</section>
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<section id="no-restrictions-on-track-io-configuration">
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<title>No restrictions on track I/O configuration</title>
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<para>
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Tracks and busses in ardour do not come in pre-determined configurations.
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You can create a mono track, and convert it to a stereo track at any time.
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You can convert it to a track with 3 inputs and 7 outputs if you want,
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because Ardour also doesn't restrict track I/O configurations to a fixed
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set of mono/stereo/5.1/7.1 etc. In addition, because of Ardour's use of
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<link linkend="sn-configuring-jack">JACK</link> , a track with one input
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can actually receive data from many different locations. You can also
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connect any track to any number of other tracks and busses. In Ardour, the
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only difference between a track and a bus is that a track plays back
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pre-recorded material from your disk drives and can record to them. Both
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tracks and busses can have plugins, sends, inserts, automation data and
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more.
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</para>
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</section>
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<section id="your-audio-hardware-is-not-the-only-io-option">
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<title>Your audio hardware is not the only I/O option</title>
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<para>
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Because Ardour uses <glossterm linkend="gt-jack">JACK</glossterm> , your
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session isn't limited to receiving and sending audio to and from your audio
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interface. It can freely send and receive audio signals to any other JACK
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application, in some cases even JACK applications running on other
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computers. On the one hand, this makes understanding the I/O options for a
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track or bus a little more complex than in a conventional program, but it
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also adds incredible power to Ardour, as you will see later.
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</para>
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</section>
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<!--
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<xi:include xmlns:xi="http://www.w3.org/2001/XInclude"
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href="Some_Subsection.xml" />
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-->
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</section>
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