% vim: tw=80 spl=en % Copyright (C) 2018 Julien "_FrnchFrgg_" RIVAUD % % This program is free software: you can redistribute it and/or modify % it under the terms of the GNU General Public License as published by % the Free Software Foundation, either version 3 of the License, or % (at your option) any later version. % % This program is distributed in the hope that it will be useful, % but WITHOUT ANY WARRANTY; without even the implied warranty of % MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the % GNU General Public License for more details. % % You should have received a copy of the GNU General Public License % along with this program. If not, see . \documentclass[10pt]{article} %\usepackage{fontspec} %\usepackage{polyglossia} %\setmainlanguage{english} \usepackage[english]{babel} %\usepackage{lualatex-math} \usepackage{amsmath} %\usepackage[math-style=ISO,bold-style=ISO]{unicode-math} \usepackage{geometry} \geometry{reset,margin=1.5cm,left=6cm,includefoot,marginparwidth=4.5cm} \usepackage{cellprops} \begin{document} \def\define#1{\textbf{#1}} \def\d{\mathrm{d}} \section{A natural definition for tempo ramping} \subsection{Some definitions} The \define{time}, often denoted $t$, is the duration in some multiple unit of seconds (samples, superclock, etc). We define $b$ to be the \define{beats function}: $b$~is the number of beats that occurred since $t = 0$ until the current time. It is assumed to be continuous and even derivable rather than being a staircase function: $b$~will thus value~$4.5$ when exactly in the middle of beat~$4$, halfway\footnote{Not necessarily halfway in time units, though.} between pulsations $4$~and~$5$. The \define{tempo function}, or simply tempo, is the number~$T$ of pulsations per unit of time. Thus $T = \dfrac{\d b}{\d t}$. \def\DT{\Delta T} \def\Dt{\Delta t} \def\Db{\Delta b} A \define{tempo ramp} is a definition of $T$ for $0 \le t \le \Dt$ such that $T_{t=0} = T_0$ and $T_{t=\Dt} = T_{\text{end}} = T_0 + \DT$ where $\Dt$, $T_0$ and $T_{\text{end}}$~or~$\DT$ are given. Most of the times they are set by the user, but $\Dt$ can be sometimes defined in beats, that is be the unique~$\Dt$ such that $b_{|t=\Dt} = \Db$. \subsection{Linear tempo ramping} The simplest definition that comes to mind is a tempo ramp where the tempo increases from $T_0$~to~$T_0 + \DT$ \emph{linearly} with time. Here $T = T_0 + \dfrac{\DT}{\Dt}\times t$, and thus $b = \dfrac{\DT}{2\Dt}\times t^2 + T_0 \times t$, assuming $b_{|t=0} = 0$. If $\Dt$~is defined implicitly from a duration~$\Db$ in beats, then \[ \Db = \dfrac{\DT}{2\Dt}\times \Dt^2 + T_0 \Dt = \left( \frac{1}{2}\DT + T_0 \right) \times\Dt \] thus \[ \Dt = \dfrac{2\Db}{\DT + 2T_0} \] \subsection{Exponential tempo ramping} \def\e{\mathrm{e}} Humans are not very good at keeping track precisely of absolute time for long durations, and are better at comparing short durations, that is maintain a reasonably stable time span between successive pulsations, and have a precise sense of elapsed time \emph{in terms of these pulsations}. In particular, when changing the tempo, it is less far-fetched to imagine a human feeling the tempo increase as a function of elapsed \emph{beats} rather than absolute time in seconds which is a pulsation that is very hard to maintain constant and even sense when competing with the (increasing) musical pulsation. In other words, a definition more suitable than that of linear ramping would be that the tempo increases \emph{linearly} with the value of~$b$. We thus want \[ T = T_0 + \dfrac{\DT}{\Db}\times b \text{, that is } \dfrac{\d b}{\d t} - \dfrac{\DT}{\Db}\times b = T_0 \] The solutions of this order 1 linear differential equation are\footnote{The exponential is the solution of the associated homogeneous equation and the second term is the constant solution of the equation.} $b = A \e^{\frac{\DT}{\Db}t} - \dfrac{\Db T_0}{\DT}$, and since we want $b_{|t=0} = 0$, we get $A = \dfrac{\Db T_0}{\DT}$ that is \[ b = \dfrac{\Db T_0}{\DT} (\e^{\frac{\DT}{\Db}t} - 1) \] Denoting $\omega = \dfrac{\DT}{\Db}$ we find $b = \frac{T_0}{\omega} (\e^{\omega t} - 1)$. (Note: $\omega$ is called $c$ in Nick's text, but I like $\omega$ better since it is a frequency). The \emph{tempo} is $T = \dfrac{\d b}{\d t} = T_0 \e^{\frac{\DT}{\Db}t} = T_0 \e^{\omega t}$, and this is where the name exponential tempo ramp comes from. Recall that $\Db$, $\DT$ and $T_0$ are parameters of the ramp, while $t$~is the arbitrary time within the ramp at which we want to know $b$~and~$T$. Let us compute the reciprocal of $b$: \[ b = \dfrac{\Db T_0}{\DT} (\e^{\frac{\DT}{\Db}t} - 1) \iff \dfrac{\DT}{\Db T_0} b = \e^{\frac{\DT}{\Db}t} - 1 \iff 1 + \dfrac{\DT}{\Db T_0} b = \e^{\frac{\DT}{\Db}t} \] \[ \iff \log \left( 1 + \dfrac{\DT}{\Db T_0} b \right) = \frac{\DT}{\Db}t \iff t = \frac{\Db}{\DT} \log \left( 1 + \dfrac{\DT}{\Db T_0} b \right) \] If $\Dt$~is defined directly instead of implicitly from a duration~$\Db$ in beats, then we have to find out the value of~$\Db$. At $t=\Dt$, we have $b = \Db$ thus \[ \Dt = \frac{\Db}{\DT} \log \left( 1 + \dfrac{\DT}{\Db T_0} \Db \right) \iff \Dt = \frac{\Db}{\DT} \log \left( 1 + \dfrac{\DT}{T_0} \right) \iff \Db = \frac{\DT\Dt}{\log \left( 1 + \dfrac{\DT}{T_0} \right) } \] A more useful expression is \[ \omega = \frac{\DT}{\Db} = \frac{1}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right) \] which gives \[ b = \frac{\Dt T_0}{\log\left(1+ \frac{\DT}{T_0}\right)} \e^{\frac{t}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right)} = \frac{\Dt T_0}{\log\left(1+ \frac{\DT}{T_0}\right)} \left(1+ \frac{\DT}{T_0}\right)^{\frac{t}{\Dt}} \] and \[ T = T_0 \e^{\frac{t}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right)} = T_0 \left(1+ \frac{\DT}{T_0}\right)^{\frac{t}{\Dt}} \] We at last compute the reciprocals: \[ b = \frac{\Dt T_0}{\log\left(1+ \frac{\DT}{T_0}\right)} \e^{\frac{t}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right)} \iff \frac{\log\left(1+ \frac{\DT}{T_0}\right)}{\Dt T_0} b = \e^{\frac{t}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right)} \] \[ \iff \log\left( \frac{\log\left(1+ \frac{\DT}{T_0}\right)}{\Dt T_0} b \right) = \frac{t}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right) \iff t = \frac{ \Dt \log\left( \frac{\log\left(1+ \frac{\DT}{T_0}\right)}{\Dt T_0} b \right) }{ \log\left(1+ \frac{\DT}{T_0}\right) } \] \subsection{Summary with $T$ as main tempo representation} The following table gathers all results. For code factorization we might want to only consider the red formulas, that is compute (and maybe cache) $\omega$ beforehand. Note that in the formulas, $\omega$ is \emph{always} the inverse of a time, never in per-beats. \[\everymath{\displaystyle} \cellprops{ td:nth-child(1) { math-mode: text; } } \begin{array}{lccc} \hline When you know & \Dt & \Db & \omega \\ \hline Compute $\omega$ & \color{red} \frac{1}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right) & \color{red} \frac{\DT}{\Db} & \\ Compute $b$ from $t$ & \frac{\Dt T_0}{\log\left(1+ \frac{\DT}{T_0}\right)} \left(1+ \frac{\DT}{T_0}\right)^{\frac{t}{\Dt}} & \frac{\Db T_0}{\DT} (\e^{\frac{\DT}{\Db}t} - 1) & \color{red} \frac{T_0}{\omega} (\e^{\omega t} - 1) \\ Compute $T$ from $t$ & T_0 \left(1+ \frac{\DT}{T_0}\right)^{\frac{t}{\Dt}} & T_0 \e^{\frac{\DT}{\Db}t} & \color{red} T_0 \e^{\omega t} \\ Compute $t$ from $b$ & \frac{ \Dt \log\left( \frac{\log\left(1+ \frac{\DT}{T_0}\right)} {\Dt T_0} b \right) }{ \log\left(1+ \frac{\DT}{T_0}\right) } & \frac{\Db}{\DT} \log \left( 1 + \frac{\DT}{\Db T_0} b \right) & \color{red} \frac{1}{\omega} \log \left( 1 + \frac{\omega b}{T_0} \right) \\ Compute $T$ from $b$ & T_0 + \frac{1}{\Dt}\log\left(1+ \frac{\DT}{T_0}\right) \times b & T_0 + \frac{\DT}{\Db}\times b & \color{red} T_0 + \omega b \\ \hline \end{array}\] Note that there are often library functions to compute $\log(1+x)$ directly from~$x$ more precise than computing $1+x$ then its logarithm. The main reason is that when adding 1to some very small number you loose a lot of precision because the exponent is now tailored to the representation of~$1$, and that the Taylor-McLaurin series for $\log(1+x)$ is a very efficient mean to compute an approximate value for it. \subsection{Using $S = \frac{1}{T}$ to represent tempo} \def\DS{\Delta S} \everymath{\displaystyle} Since the base time unit in ardour is not seconds but far smaller than that\footnote{It was samples in previous versions of Ardour, and is even more precise in later versions.}, any value of $T$~or~$\DT$ will be very small. A better value to store, that can easily be rounded to integer without a huge loss of precision, is $S = 1/T$. Instead of having $T_0$~and~$T_1 = T_0 + \DT$, we thus assume that when computing the formulas we have access to $S_0$~and~$S_1$. Then from $\Dt$, $\omega = \frac{1}{\Dt}\log\left(1 + \frac{\DT}{T_0}\right) = \frac{1}{\Dt}\log\left(\frac{T_1}{T_0}\right) = \frac{1}{\Dt}\log\left(\frac{S_0}{S_1}\right)$. From beats, $\omega = \frac{\DT}{\Db} = \frac{S_0 - S_1}{S_0S_1\Db}$ (or just use $\omega = \left( \frac{1}{S_1} - \frac{1}{S_0} \right) / \Db$). To compute $b$~from~$t$ we can use $b = \frac{\e^{\omega t}-1}{S_0 \omega}$. And for $S$~from~$t$ we have $S = \frac{S_0}{\e^{\omega t}} = S_0\e^{-\omega t}$. As for $t$~from~$b$ the formula becomes $t = \frac{1}{\omega} \log \left( 1 + S_0 \omega b \right)$. Lastly, for $S$~from~$b$ we can see: \[ S = 1/T = \frac{1}{1/S_0 + \omega b} = \frac{S_0}{1+S_0\omega b}\] Maybe we can also to compute and cache $\omega' = S_0 \omega = \frac{S_0}{\Dt}\log\left(\frac{S_0}{S_1}\right) = \frac{S_0 - S_1}{S_1\Db}$ Which is in « per-beats » and occurs often in the formulas (but not exclusively). Note that the fact that $\omega$~or~$\omega'$ is relevant is \emph{not} depending on whether we compute from time or from beats, or even if the ramp length is defined in time or in beats. \end{document}